A Question on Speaker Driver Efficiency


I have been tweaking my guitar amps, by upgrading the speakers.

I installed a larger speaker (was 8" now 10") in my bass amp, but I made sure it was very efficient - net result
- not only is the bass much deeper sounding,
- but because the new driver was more efficiant I now play at a lower volume.

So I am now considering upgrading my other amp (i.e. used for my 6 string) and got to thinking about building a new cabinet that houses two speakers.

I know that connecting the speakers in ...
- series will double the impedance, i.e. 2 x 4 ohms would have an onverall impedance of 8 ohms
- parallel will halve the impedance, i.e. 2 x 16 ohms would have an onverall impedance of 8 ohms

But what I have not been able to get my head around is...
- what will each connection method (i.e. series or parallel) have on the "combined" sensitivity rating?
- e.g. if both speakers are rated at 96db sensitivity, will the overall sensitivity change due to the connection method or remain at 96db?

Since I can get 4 ohm or 16 ohm drivers - which connection method would be best? series or parallel?

in case it is a factor
- the amp is 15 watts into 8 ohm
- I am looking at employing two identical drivers each rated at 96db sensitivity
- 96 db (or higher) is the target for the combined sensitivity

Any help is appreciated - Many Thanks Steve
williewonka
Incorrect? Really? In theory, they move at EXACTLY the same time only when no capacitance exists in the circuit. Current through the coils is the same at any given time only when the circuit doesn’t have capacitance. We know this is not the case.
@cj1965 It seems that you are forgetting about Kirchoff's Law. Obviously one woofer cannot move if current is not also flowing through the second in a series connection! So that means the other woofer has to move **at the same time** otherwise Kirchoff's Law is violated, which is an impossibility. Further, the current has to also flow the other way (it is an audio waveform after all), so the situation with the woofer's relationship is reversed; it is quite obvious that they will move at exactly the same time and this is true even if the drivers are of different inductance.

Kirhoff's Law was also taught to me in school as the 'Law of energy conservation'. It basically states that there cannot be more energy in a circuit than is put into it, nor can there be any less. So if a watt is put in, the individual parts in the circuit will all dissipate some fraction of that watt in such a way that if you added it all up, it would be exactly 1 watt. Here is the Wikipedia page:
https://en.wikipedia.org/wiki/Kirchhoff%27s_circuit_laws

Now if the drivers are dissimilar, they might not *sound* the way you want (one might have a greater voltage drop across it than the other), but if they are the same driver there isn't a downside unless higher impedance is problematic as with a solid state amp (however the solid state amp will be seen to be making less distortion).

If all things are equal, meaning a 4 ohm 8 ohm and 16 ohm driver would all sound equivalent in a given cabinet, Paralleled wired speakers sound better overall than series. I would also recommend that you add a simple impedance correction circuit.   Many amplifiers react better to a consistent impedance. Not all, but No amplifier sounds worse with it. (unless you are dropping impedance too low for a few tubes) still within tubes impedance operating range, even tubes sound better with impedance correction circuits on speakers
This bit is problematic. The drivers are going to sound the same whether in parallel or in series. What **won't** sound the same is the amplifier, which reacts very differently to impedance depending on the amp.

Now in the case of this thread, the amp in question is a tube guitar amp. Tubes, generally speaking, prefer a higher impedance and will make less distortion if the higher impedance is accommodated by a tap on the output transformer. The transformer will run cooler as it is more efficient, so with most tube amps you get a tiny bit more power as well, as well as more extension into the bottom octave of the amp.

Reducing distortion may not be the goal in a guitar amp, where the guitarist's individual 'sound' that he is going for is highly subjective and varies greatly from one guitarist to another, even using the amp amp.

So ultimately, the OP will simply have to try it both ways. The amp won't be damaged by this, and if there are taps for each impedance, they should be employed.

"Again, current (and not voltage) is what moves the coil." - kijanki

That statement is utterly clueless and contradicts a widely held definition that has been born out in countless measurements of voltage and current in coils. Once again, the definition of voltage as it RELATES to current in any given inductor coil is:

V(t)= Ldi/dt

where  voltage across an inductor at any given time is directly proportional to the time rate of change of current running through said inductor. Voltage and current in an inductor are INEXTRICABLY LINKED to one another and the precise mathematical representation has been given earlier in this thread. If you disagree with the above equation, good for you. You might be on to a new discovery in electronics and physics. Somehow, I doubt it. You could know something that no one else on the planet knows and we're all in for a new, amazing discovery. But then again, you just might be another clueless individual trolling around on the internet in search of a pointless argument....
This bit is problematic. The drivers are going to sound the same whether in parallel or in series. What **won’t** sound the same is the amplifier, which reacts very differently to impedance depending on the amp.
Hi Ralph, 
I believe that I did elude to the fact that it is the amp that sound differently, but I want to stress that in this case, compensation circuitry should sound better with tubes that the speaker without the circuitry.
Using 2 - 16 ohm speakers, depending on frequency, you will see impedances normally rise to 30 or 40 ohms if not higher. You can obviously go into why and amp sounds better on 8 ohms than 4. Impedance compensation circuitry normally only lowers the peaks (stated for others on the thread), it never raises an impedance dip. So when we can make a speaker consistent from say 8 to 9 ohms, in my experience A tubed amplifier putting out consistent power across all frequencies has always sounded better than an amp that sees a speaker that strays radically. Again, this is only my experience, today, I seldom build a speaker without compensation, there are a few exceptions, but Few.