I have read, but don’t remember why, that circular baffles are among the worst types of designs.
However, having a very wide baffle is often a very good and under-appreciated thing. With a good crossover and high quality components this could sound very good indeed, with especially good imaging and ability to transmit the recording venue’s acoustic signature to the listener.
Focal, and Sonus Faber are among brands which take advantage of the wide baffle idea. The former in the Utopia lines and the latter in the Stradivari. The Arni Nudell designed speakers such as the IRS also use this wide-baffle idea to very good effect.
Best,
E
However, having a very wide baffle is often a very good and under-appreciated thing. With a good crossover and high quality components this could sound very good indeed, with especially good imaging and ability to transmit the recording venue’s acoustic signature to the listener.
Focal, and Sonus Faber are among brands which take advantage of the wide baffle idea. The former in the Utopia lines and the latter in the Stradivari. The Arni Nudell designed speakers such as the IRS also use this wide-baffle idea to very good effect.
Best,
E