Any opinions on Audiomat Amps?

I have owned both the Arpege and the prelude, the prelude is in a class of its own, while the Arpege is still a very nice sounding amp, the prelude has ALOT more power and very fast tight bass.
As for the North American distributer (Mutine)
I ordered a new set of tubes, on a Monday and received the tubes on a Wednesday.
I must mention that they where slow responding to emails.

I was driving a pair of focus audio fs688 that run at 85db with no problem and by far the best sound out of all the intergrated and separates I have owned
(sim audio I-5, I-5 LE, P5/W5 combo and the DK vs-1 MK II

You will need more power for the Thiel speakers than these amps provide if my experience with the 2.2 and 3.5 speakers have any relevance. The Audio Note P2SE could not work well at all with the 2.2 Thiels.

Being a previous owner, I would stay away from anything Audiomat and Equation for the following reasons:

1. The amps are good, but overly pricey - you can do better for much less money.

2. Weak bass.

3. Two weeks from Mutine to answer e-mails, no help whatsoever if you buy your amp used, even if you offer to pay for service.

4. A very confidential and almost non-existent dealer network (most have left or are thinking to leave) , yet the distributor frequently admits to being ''overloaded'' with demand...his reason for not having the time to respond quickly....sure.

5. Try to find anything written on the Equation 25 speaker aside from that lone review....nothing, nada, zip. It's like this is a ghost speaker. If its that good, surely, something else can be found other than the self-congratulatory comments on Mutine's own website.

6. Low resale value. A Sim Audio I-5 sounds much worse, but will sell in a week. An Audiomat?....took me 3 months to sell mine at a ridiculous discount.

In case you need more reasons e-mail me !

I'd agree the Audiomat Arpege has issues with the bass and a treble that tends to roll off, but this thing MAKES MUSIC, which is more than I can say for the majority of solid-state and digital amps I've auditioned in the last few years... The midrange is truly superb and almost makes up for its shortcomings.

Haven't heard the Prelude, but the top dog Opera is in another class altogether: fully class A topology, high-grade parts throughout, superb build quality, with high-quality O/P trannies that represent a large proportion of its admittedly elevated cost. It's BY FAR the best amp I've heard in my system and supremely musical yet accurate.

I've compared it to the likes of:

Pathos new Classic One
Bel Canto eVo2i
DK Designs VS1-1
Cayin 265Ai
Vecteur I-4
Bent TVC / Bryston 3B-SST
Bent TVC / Audio Research 100.2
Bent TVC / Threshold S-5000e
Bent TVC / ICE H20 digital
PSA PCA-2 / HCA-2
Audiomat Arpege Reference

The Audiomat gear alone made MUSIC in my system.

I posted a thread asking "what power cord for the prelude"
The only reponse I got was from the individual that reveiwed the Arpege for soundstage a while back...In his words:

I reviewed the Arpege for SoundStage! and later sold the Audiomat line in my part-time shop. The Prelude is my favorite amp of the lot. As far as power cords go, I really liked the Custom Power Cord Company Top Gun HCFi. I thought there was excellent synergy between the Audiomat and the HCFi. I haven't heard the Elrod with them though

I have not had any problem with week bass on the Prelude
The Arpege is another story