As time went on, Bill was less and less at the center of design at ARC, even long before he sold the company. He had a couple of other long-time ARC designers (especially Rich Larsen) designing more and more of the new products, starting with the first hybrid tube-mosfet pre-amps. It was those products (like the SP-11) that some feel ushered in a change in the ARC sound, from a traditional slightly soft/warm sound to a white/dry one; too much solid state, not enough tube.
Some ARC products of the last couple of decades had very little Bill Johnson involvement. But ARC still maintained it’s "Bill Johnson" image for years after it was a true reflection of who was actually designing their products. They have a great dealer network, and a dedicated, loyal clientele, who continue to this day to sell one ARC product and replace it with it’s new version in the company’s lineup. And the old models keep their value, making buying used, listening to for a number of years, then selling for little loss, a good way to get great sound at a reasonable price.
Who knows how long ARC can maintain their place in perfectionist audio, when no one knows who is actually in the drivers seat, design-wise. I wish Fremer had been able to talk with Rich and whoever else is actually responsible for new ARC products. Without that, ARC is just another faceless company, with no identity. To me, anyway. With a Herron product, I know who does the designing, and what he's about. Same with Atma-Sphere, Music Reference, Pass Labs, VTL, Lamm, Zesto, Manley, and the other smaller, designer-owned companies, like ARC once was. That's was being high end is all about, isn't it?
