Berning ZH-270 Replacement


Hi

I would value suggestions from anyone who has listened to the David Berning ZH-270 complete with the upgrades and who can advise on what integrateds if any they have heard that better it.

I am running Sonus Faber Guarneri Homage speakers with a subwoofer.

Advice and recommendations welcome

Thanks
Barry
bpinder
I joined the Homage club a short while back. Usually you try to find the best amp to make your speaker sound its best. The GH's are unique to me in that they seem to make each amp sound its best. When they were delivered to my house I hooked them up to a vintage Marantz 19 receiver just to see if they survived shipping. They sounded great. Hooked them up to my Carissa Sig (845 SET), great. Seemed to have a special synergy with my 300b. They now reside in my home/office with a Pass XA30.5 driving them to my pleasure. Now that Summer is here I will using my Red Wine Audio 30.2 to help with the heat issue. I'm pretty confident that will be good too.

Recommendations? Pass has a 150.5 integrated that I have a feeling would work very well with the GH. I can let you know how the RWA works if you care. It's an integrated. Good luck.
IME, the Berning is a great amp, but not great as an integrated. The volume control is nothing but average. Try it with a good separate line stage, and only then judge the quality of the amp.
If you are limited strictly to integrateds, consider the VAC. If you have power-hungry 4ohm load, then I'd look at Pass. Cheers,

Spencer
06-24-09: Peter_s
I must digress, and I think I'll get alot of flack for this, but wrt to the ZH-270, I don't see what all the hubbub is (bub). I had one about 7 years ago, with the NOS tubes, and I felt that it sounded way too forward and aggressive. I heard it on multiple systems, four to be exact, and the sonic character was the same for all. I returned it to David Berning to make sure it was OK, and he said there was nothing wrong with it. I just don't get it. Several friends all had the same impression of the sound. Anyone here on Agon perceive it the same way?
I certainly do! I had posted similar comments re. the ZH270 in this thread way back in 2006:
http://forum.audiogon.com/cgi-bin/fr.pl?aamps&1141813144
I also did not hear anything special from this amp & I heard it 1 person's system & then invited the gentleman over with the ZH270 to listen to it in my own system. No cigar in both cases, I'm afraid.
In the above thread, you'll read that many others changed their minds over time to agree with my position but you got to go out & listen with an open mind. Once these other people did, they realized that the ZH270 was average, at best.
Now, Berning's new Quattro (I think I got the name correct) that I heard at RMAF2007 is/was an excellent product. Much more expensive but, my gosh, what great sound. superb!

Of course, these are my personal opinions. YMMV.
Chris74, I humbly suggest that you have no idea what you are talking about. The output transformer in the Berning is clearly visible in the patent schematic! -even if you take the tack that an air core transformer is not in fact a transformer (which of course it is), ignoring the role that the semiconductors play in the output section still puts it outside the category defined by the acronym 'OTL'.

It is true that in the early 70s and late 60s, Allied Radio Shack referred to some of their amps as 'OTL', but generally the term refers to a tube amplifier, not semiconductor, and also not an amplifier that uses both a transformer and semiconductors for impedance transformation in its output section.

Of course, cats are distantly related to dogs, so I guess all dogs are really cats, right :)

BTW, the Atma-Sphere approach to OTLs was patented in 1986, and is not a Futterman circuit or a derivative thereof. Contrary to your assertion, it is *unconditionally* stable, as the amp cannot be made to oscillate under any load condition, regardless of input signal condition. It was the development of a fully symmetrical circuit that is inherently low in distortion that allows for this, so feedback (a destabilizing feature in any amplifier design) was no longer required, unlike the prior art.
Bombaywalla - it's somehow comforting to know that I'm not the lone dissenter to this love fest! I really wanted to like the ZH-270 - I thought it would be the answer to all my needs. I don't think that it was the source components or the cables, as I listened to it on 4 systems - though I imagine there are better synergy combinations than what I experienced.