Classical Music for Aficionados

@jim204,
I may have mentioned it, but I use something called Fidelizer, which seems to do much the same as O&O.
I might just give it a try and compare the two software platforms.
I am also in the middle of trying a new streamer- Laufer Teknik’s Mini-baby brother to The Memory Player, which uses some proprietary software to provide higher resolution of digital signals.
B

Who knew that Massenet wrote a piano concerto?  Clearly I'd forgotten, as I have the Hyperion CD.  I'm enjoying it enormously; it is a bit all over the place, musically speaking, but enjoyable nonetheless, and the recording is splendid.

@gdnrbob  
I also tried Fideliser but got fed up with it and Instead bought some soft ware through Sam Laufer. It  was form Mark Porzilli the guy who dreamt up the Memory player and your machine is probably using it also. That soft ware was the one that really made my PC sing, I remember that during the installation Mark himself did it and he had partitioned a part of my hard drive into a 4 gig. space to put your music files that you were going to play. I was astonished the first time I played a file and I even remember the file "Mahler's second Symphony" off a DSD file cut from an SACD disc with The LSO cond, by Valery Gergiev . It absolutely blew me away The opening was earth shattering and the last movement opening was cataclysmic . The amount of headroom that recording had just had to be heard to be believed. That was a great day I had listening to files one after another and where the software scores is the increase in clarity right through the frequency range. The area most apparent was the treble it has a beautiful purity to it and it was worth the money just for that alone.     

Teed up for this afternoon is Ignaz Brull.  Thank you, Hyperion!  Concerto #1 kind of ho-hum.  Some nice moments in the slow movement.  The separate Andante rather better.  Now the opening of #2 is quite stirring.

And here's a related general observation, FWIW.  I see clearly that my collecting (CDs) and listening is primarily repertoire based.  Certainly, performers matter a great deal, but I look at the performers once I'm looking for recordings of a particular piece.  Looking at posts on this thread, it seems as if most others take the opposite approach: they have a bunch of favorite performers, and repertoire comes second (different repertoires are what certain performers specialize in).  Discuss??

Chopin Nocturnes with Hans Moravec, pianist with so "delicate" color control that God prefer this version...