2. analog
  3. 1230694447

Collecting Blue Note Jazz

I have decide to start building up a collection of Blue Note Jazz LPs, of which I have very few. What is the best way to go on what can be a sizeable investment. I am willing to spend for great music/sound quality, but cost is a factor, especially when originals are so expensive. I see many options, of which standouts include:
1. New Music Matters 45 RPM reissues.
2. Original Pressings ($$$)
3. Affordable but relatively early reissues (e.g. Blue Label, Liberty Pressings..maybe from the 70's or even early 1980s)
4. Just buy SACDs, since the LPs will not sound that great anyway.
The website www.dccblowout.com touts hot stampers. As I understand it, this site recommends shunning recent reissues and buying perhaps five or more original LPs or reissues (e.g. Blue Label) and keep the best sounding of the lot, while selling the rest. I've noticed that none of the Blue Note LPs I have so far offer sound quality on par with my LPs by the Contemporary Records label. Any recommendations? I have a pretty decent system for both LP and digital. Any advice would be much appreciated - Mark
mcmprov
buconero117
2,311 posts
 
Any body know if Blue Note ever issued anything on reel to reel tape?
arahl
70 posts
 
Imho, original, mono, pre-Liberty 12" Blue Notes are the greatest of all the record labels. If you like the music and can afford them, with the exception of some that are overpriced due to rarity, they are worth every cent.
jj2468
280 posts
 
I too have complained about the piano in RVG vinyl recordings. By way of serendipity, I installed a Denon 103r and my complaint is gone. I know my old cartridge was worn. But, and just in my situation, I have found much more detail and high end in a new cartridge. Perhaps it is just a better match for my situation. But, I suppose I'm saying I found the dull piano to be coming from something other than the record. And I imagine there are recordings where the piano is just recorded dull. But, if the piano always sounds dull (and perhaps the high hat cymbol sounds dull), you may want to investigate elsewhere.

I think I used 100 words when 10 would do :-)

Jeff
mrmitch
359 posts
 
I was very lucky to live near the Record Exchange in Princeton, NJ, in the 80's (and still). Those were the days when you could get original pressings or early re-issues for a reasonable amount of money, and the store was more vinyl than CD. Many people turned in those "ancient, less than perfect sounding" LP's(their loss, my gain!)for the new format. My Lp collection is close to a thousand albums (and around 500 CD's). I have a few original Blue Notes and some early re-issues, among them:
1. Stanley Jordan's "Magic Touch"
2. Art Blakey &The Jazz Messengers "Moanin"
3. Jimmy Smith "Softly As A Summer Breeze"
4. Stanley Turrentine "Up At Minton's"
5. John Coltrane's "Blue Train"
6. Tony Willams "Life Time"
7. Milt Jackson with Thelonius Monk Quintet
plus many wonderful Verve's, Riversides, Pablos, Contemporary,Coumbia 6 eyes, Capitol, Atlantic, MoFi's, and one of my favorites....a 4S stamper of RCA LSP-2438 Paul Desmond "Desmond Blue". I realize that these would cost a goodly amount today, but IMHO, nothing replaces their sound.--Mrmitch
adam18
670 posts
 
I've been buying a lot of Blue Note re-issues from Dustygroove.com. The quality seems fine, and the LP's sell for $7 - $12. Loads of Lee Morgan, Hank Mobley, Grant Green, Ike Quebec, Lou Donaldson, etc., etc. I don't know how these LP's compare to the $50 re-issues, but I do know that they sound really good. Personally, I'd much rather be able to buy 12 albums for under $100, than buy only two for the same price. Just my two cents.
Happy New Year, and Happy Listening !!!
More to discover