2. analog
  3. 1295820131

Considering analog...but nervous

Well, I've been here before. Once again, I'm thinking of venturing into the Analog world, but before doing so, I wanted to pose a few questions to fellow agoners to make sure my head (ears?) are in the right place.

Some Background: My current setup consists of a Modwright Transporter, Musical Fidelity KW 500 (hybrid tube pre/SS Amp), and Focal/JM 1027be speakers. My entire current collection is digital and I have NEVER owned Vinyl before NOR have I ever heard a high-end Analog setup.

My Tastes/musical likes: I am all about soundstage and imaging. Vocal accuracy is hugely important and instrument placing (hence, imaging) are part of what I look for when listening. Genre wise, mostly rock, folk, acoustic and blues. Some jazz as well. I generally try to stick to labels that produce good-sounding material...not over-compressed garbage.

On with the questions:

1. One of the biggest things that has kept me from trying Vinyl thus far is the concern of excessive hiss and crackle/pop that vinyl is known for. Is it safe to assume that purchasing new Vinyl and played on a higher quality setup will reduce (eliminate?) the pops and crackle sounds? I have no problem purchasing exclusively new vinyl, knowing full well that the process of shopping used is what draws so many to this market...

2. If I purchase new vinyl, only play it on a decent player, and store it properly, will I still have to clean it? How expensive is a cleaning machine? Are there (reasonable), less expensive alternatives to a cleaning machine?

3. Based on my integrated (tube-pre,SS amp) and speakers, are these a good match for Vinyl? Does anyone know if the KW 500 Phono input is adequate for a good turntable? My digital system has a tendency to be on the bright side for a lot of material, but not everything. Strangly, even at 31 years old, I can still hear up to around 19Khz so I'm a bit picky about the highs...

4. How complicated is the setup of the TT? Being that I've never worked wtih it before, I'm somewhat intimidated by the "setup" requirements of the equipment. What are the core requirements/knowledge to properly setup a TT.

5. And finally, the most subjective question of all. If I had a budget of about $1,000-$1,500 for a TT, Tonearm and Cartridge, what would be a good starting place? I'd obviously be looking for used here from Agon.

I know this was a long post so thanks for hanging in and reading it all :-). Any feedback would be greatly appreciated.

-gh0st
fatgh0st
johnnyb53
3,490 posts
 
If your gear and musical tastes aren't a recipe for analog, I don't know what is. Classic rock and especially acoustic or semi-acoustic music like jazz, folk, and blues just sing in the analog domain. For phono stages I'd start with the Musical Fidelity; it'll probably do, and may excel for your purposes. For $1500 I'd look at a Rega P5 with Rega Exact cartridge, the Marantz TT51 with supplied Clearaudio wood-bodied MM cart, or the Clearaudio Concept.

Cleaning isn't that big of a deal unless you're getting all your LPs from thrift shops or garages. I use a carbon fiber brush for a quick dust-off before each play, or a rolled up microfiber terry towel. Really, it's no big deal when you get used to it as part of your playing routine.
peterayer
1,373 posts
 
Go to your nearest dealer or a friend who spins vinyl and listen to Muddy Water's "Folk Singer" on LP. Then listen to it on CD. If you appreciate the difference, dip in your toes slowly and get educated as others have suggested. If you get hooked there will be no limit to how involved you decide to become.

And vinyl has only gotten better in the eight years since I returned to the format.
lindisfarne
507 posts
 
Dear Portly Ghost-The truth hurts. When I listen to "Satisfaction" on a cheap TT or transistor radio, I still know the song kills. I don't need imaging, soundstaging or other hocus-pocus to tell me the Stones got it right. I own ZERO audiophile-approved records and I'm proud of the fact. I have my pants around my ankles because the Sex Pistols rock. I reject the swill played at most hifi shows because it is so banal.
hotmailjbc
571 posts
 
god save the queen isn,t audiophile approved? since when?
manitunc
795 posts
 
I havent purchased a CD in this century and the only CD equipment I own is a CD recorder where I record my vinyl to CD for playback in my car or to transfer to I-tunes in full apple lossless format. Everyone I have played my recorded CDs or Ipod to has commented on its superior sound to what they are used to. So, if CDs recorded from vinyl sound better than store bought CDs, how much better do you think the vinyl played directly is.

My girlfriend, who is from New Orleans area and loves music was astounded when I first set up a vinyl playback system at her house. Now her 30 year old son has been bitten by the bug after I gave him a decent turntable setup.

If you are going to actually listen to your music, and listen hard, then vinyl is the obvious choice. If you just want to play background music while you do something else, then you can get by with CD. It is clearly more convenient.

You say your system now seems too bright. That may be a function of digital distortion, which seems worst in the high frequencies. That may be especially true if you can hear up to 19khz. I know it would drive me to turn it off.
Is there a way you can try a decent turntable system in your setup to see if it is your system or just digital that make your setup seem shrill.
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