The bottom line is there nothing in software passed 24/96.Theotricaly it is possible to get to 192,though I have yet to hear or see anything close to it.As far as I know you cannot get blood from of a stone.This upsampling,oversampling is nothing but a lot of hype.As a dealer I have heard all the so called "Kings of the Hill"(Meitner,Audio Aero,Burmeister ect)and to my ears this added information is just that.I feel that the music has become totaly lost in mathematical equations..
Obviously I cannot be all wrong as some of the more tradidtional companies still maintain 18 and 20 bit dacs,some with no filtering ie Audio Note,47 labs,Goldmund ect.The Theatermaster Signature and the Classic were and are the best out there when it comes to a pre/pro.Yes you are gving up on the newer technology,dpl II dpl Ex upsampling ect.The decison must be wether you want the best sound ,or you are willing to sacrifice for the more updated offerings that are essensialy of the shelf boards and dacs that are slapped together.
You have on other recourse if you want to stay with EAD and that is the Signature 8,Has full analog pass through,for your hi rez.The DAC chips though are 17632s which was the progression of the downward spiral on quality dac chips.
Obviously I cannot be all wrong as some of the more tradidtional companies still maintain 18 and 20 bit dacs,some with no filtering ie Audio Note,47 labs,Goldmund ect.The Theatermaster Signature and the Classic were and are the best out there when it comes to a pre/pro.Yes you are gving up on the newer technology,dpl II dpl Ex upsampling ect.The decison must be wether you want the best sound ,or you are willing to sacrifice for the more updated offerings that are essensialy of the shelf boards and dacs that are slapped together.
You have on other recourse if you want to stay with EAD and that is the Signature 8,Has full analog pass through,for your hi rez.The DAC chips though are 17632s which was the progression of the downward spiral on quality dac chips.