I admit to having heard the effects of break-in on various pieces of audio equipment. I'll grant that some components seem to require little break-in while others need quite a bit more.
One of the better descriptions of what constitutes break-in of audio equipment (at least for speakers) can be found on the Avalon Acoustics website.
To paraphrase the manufacturer, break-in is required because there is "a residual polarization of the dielectric materials used in the crossover capacitors and internal wiring. The electrical signal will gradually anneal these materials. Driver suspensions similarly need break-in to "reach their optimal mechanical properties as the speakers are played." They go on to state that an initial six hour warm up with quiet music is recommended, with an additional 200-300 hours of loud, dynamic music for extended break-in.
Whether you choose to believe that break-in is important or not, it's hard to argue with the recommendations of an audio manufacturer of some repute.
One of the better descriptions of what constitutes break-in of audio equipment (at least for speakers) can be found on the Avalon Acoustics website.
To paraphrase the manufacturer, break-in is required because there is "a residual polarization of the dielectric materials used in the crossover capacitors and internal wiring. The electrical signal will gradually anneal these materials. Driver suspensions similarly need break-in to "reach their optimal mechanical properties as the speakers are played." They go on to state that an initial six hour warm up with quiet music is recommended, with an additional 200-300 hours of loud, dynamic music for extended break-in.
Whether you choose to believe that break-in is important or not, it's hard to argue with the recommendations of an audio manufacturer of some repute.