First Foray into XLR


I know this is a topic like ‘oil’ or ‘tires’ on a car forum, but I have to ask...

Marantz AV8802a to Odyssey Stratos amp to Aerial 7T’s. Looking for advice on 1M XLR’s from pre/pro to power amp.

I’m skeptical of cables and snake oil claims, but I’m trying to be open minded. I’ve not used XLR before, so I’m not replacing anything, and not looking to spend a fortune, but would like input from others who’ve been where I am.

thanks
english210
Belden 1800f from Blue Jeans Cable. Check out their site and their cable information. Many pro studios use this combo because of its quality and price.
For me the XLR was better than a RCA cable. First tried a XLR on a Oppo 95 and have never gone back to RCA. Lots of good XLR cables out there. Not sure what your budget is, but i would give High Fidelity Cables a try. They offer a 30 day trial period.
I’m not sure of the budget myself. I don’t want to spend so little there’s no chance of getting a benefit, and/or restricting the performance that’s available with the equipment I have. Somewhere comfortably below ‘diminishing returns’, if that’s possible?
thanks for the responses so far...
+1 re Mogami, specifically Mogami Gold Studio, which is the de facto cable of choice in many professional applications. And like a number of others here I’ve had fine results with it in various home applications at various lengths. And the price is certainly reasonable.

However, while I suspect that using XLR rather than RCA interconnections will make a difference, I suspect that the major contributor to the difference will not be the cable itself, but rather differences between the configurations of the XLR and RCA interface circuits in the two components. And the only way to know which one will sound better is to try them both.

Also, assuming you are using the stereo version of the amp I think it would be a good idea to contact Klaus at Odyssey and ask him what is meant by the word "bridged" in the website’s reference to the XLR input of the amp. Usually that term refers to a technique for configuring a stereo amp such that it can be used as a more powerful mono amp, which processes an input for just one channel. Evidently that is not what is meant here, but it would be good to know just what is meant, or if it is simply a mistake in the description.

Good luck. Regards,
--Al
Good point on the ‘bridged’ term. I suspect it’s supposed to read ‘balanced’, but that’s a guess. It was recommended to me by someone who doesn’t sell Odyssey (obviously), but is familiar, that i use the balanced connections as it’s a ‘true’ balanced design. FWIW