Focus on 24/192 Misguided?.....


As I've upgraded by digital front end over the last few years, like most people I've been focused on 24/192 and related 'hi rez' digital playback and music to get the most from my system. However, I read this pretty thought provoking article on why this may be a very bad idea:
http://people.xiph.org/~xiphmont/demo/neil-young.html

Maybe it's best to just focus on as good a redbook solution as you can, although there seem to be some merits to SACD, if for nothing else the attention to recording quality.
128x128outlier
If you have not heard a properly setup DAC with hi-res files, you owe it to yourself to do so... before you spend any money on a CD player... you will be happy that you did. Not to mention the benefit seeing your entire music collection on an iPad and being able to make playlists, etc. Why would anyone want to search through a bunch of CDs, put it into a device that could only add noise and jitter and eventually will fail (drive, optics), and hear a few songs that you may like by one artist on that CD. Instead, if you like Chris Issak for example, have every song he every recorded in AT LEAST the same quality, and most times better quality sound than the std. CD, all at your finger tips. How can you beat that?
OK guys.... here is a link to this study, no wait.... here is a link to this paper, no, i mean, her a link to this test a dude did a while back that says you are wrong... etc. etc.....

SO WHAT!!!!!!!! How is all this arguing about studies and technical data and technical specs going to tell you how ANOTHER PERSON will interpret how a certain CD player playing a std. redbook CD sounds vs. a DAC playing a digital file !!!!!!!!!!!
The article seems right, as far as the author goes. He admits to the problem of brick wall filters on Redbook CD, but he forgets to mention timing errors. This is why a cirrectly clocked computer regenerated waveform seems to improve on the CD, thru the same DAC. I would propose a much reduced timing error as part of the improvement of the higher res sampling frequenies. There is also a lot of talk on WAV beng better than FLAC (even though "bits are bits").
Stretching, I would hypothesize that the regeneration of the waveform by the additional complication of the FLAC decompression "bothers" our sensibilities in some way. IF so, then I would also propose that the decompression of MLP on a DVD-A might be similar.
My hypothetical ranking of sound which seems to agree with what I hear is:
CD<=FLAC<=WAV (for 16/44.1)<=24/96MLP<=24/96PCM<=24/192MLP (for DVD/A <= DSD, and just for fun <= LP. At some points the minor improvements may not be worth the additional storage requirements.
Remember, just speculating!
Trust your ears and decide. What I have in 24/96 or 24/192 blows away the 16/44.1 versions most of the time. It's all about the mastering.
All this talk about tests and links to this study and all this technical stuff....

REALITY: All that means nothing when you have people that like and dislike things based on their own opinion of what "sounds good". Many feel tubes sound better than SS.... HOW CAN YOU TEST THAT? YOU CANNOT. The listener has their opinion of what sounds good. So posting links to these different things is POINTLESS.