How does one get off the merry-go-round?


I'm interested in hearing from or about music lovers who have dropped out of the audio "hobby." I don't mean you were content with your system for 6 weeks. I mean, you stood pat for a long time, or--even better--you downsized...maybe got rid of your separates and got an integrated.

(I suppose if you did this, you probably aren't reading these forums any more.)

If this sounds like a cry for help, well, I dunno. Not really. I'm just curious. My thoughts have been running to things like integrated amps and small equipment racks and whatnot even as I continue to experiment and upgrade with vigor (I'm taking the room correction plunge, for example.) Just want to hear what people have to say on the subject.

---dan
Ag insider logo xs@2xdrubin
First: try to go objective as much as possible to cut down brands to pour over. If you hate solid state, great, you have just wiped out over half the products out there. Narrow it down further to SET and you've wiped out, say, another 80%.

Second: Get components which do not draw attention to themselves. A highly colored amp (like Naim to my ears) is fun for a while (Naim has rhythm) but gets fatiguing in the long run. Sorry to all Naim owners out there - just trying to make an example.

Third: Get a system which has no blatant flaws to YOU. A system that satisfies on its own terms. Because if you listen and say "This lack of bass is annoying" or "They HF harshness is irritating" you can't listen in peace and always itch for something else (I'm not even saying better)

Fourth: Ignore magazines which try to undermine your security. Shake people's confidence in their own stereo and then they are open to buying something new.

03-29-05: Detlof: "As time went on, I was forced to realise, that my mind got more and more entrapped by the gear and less by the message the music might have to convey. This was not merely bad, because through this, I became more aware of that musical message, which managed to get through the audiophile smog"...


Could "audiophile smog" be defined as:
manipulation of the sound in a certain way, which, in turn, draws attention to the component itself and not the music?

It's no wonder people get audiophile nervosa. It plays on the thought "I just spent $10,000 on a preamp I want to HEAR what I got for my money." Result = listening to the component, not the music.

Look at new cars compared to old cars. With old cars you adjust the heat by turning a knob. With new cars you practically have to be a computer programmer to figure it out. There is no need for this complexity. The result is that it draws attention to the controls and not the act of getting some heat. Some type of pride by the designer?
"With old cars you adjust the heat by turning a knob. With new cars you practically have to be a computer programmer to figure it out. There is no need for this complexity."

Amen brother.

The complexity is good for the car service industry though when something goes wrong and has to be fixed. But its marketed based on other terms and people buy into it, literally.