INTERCONNECT-advice from knowers!


I am looking for reccomendations on diffrent interconnects to try in my system. My system consists of Dunlavy 4s, BAT VK150se amps, and Wadia 860. I have been using Harmonic Tech Pro Silway 2 balanced, it seems a little lean in the mids, and soft in the bass, but the images are so sharply defined, with a wide, wide soundstage that I keep coming back to it. I also for coparison have TARA Master Gen 2 which improves on the HTs weaknesses, but it seems to blur images together, and has a darkish treble that I don't prefer. Audioquest Lapis is also onhand for comparison. It seems to land somwhere in between the HT and TARA cables. I consider it the most functional of the 3 mentioned, but I would like to find a cable that keeps the strenghts of the HT and improves on it's weaknesses. I am getting a set of the Coincident interconnect for comparison. I would like to get recommendations from you guys who have worked their way up the ladder. My budget is 2k or less. Thanks, -Ryan
128x128ejlif
Ejlif, yes I tried the Silversmith, both interconnect and speaker cable. BTW, Jeffrey Smith is by far the nicest cable guy you'll ever run across, IMO. My take ON THE SOUND was: The interconnect was the smoothest tonally, of all SILVER cables I have heard. The PENALTY for this smoothness IS HIGH, though. It was, FOR ME, dynamically laid back, and diminished the sense of "timing" in the music. The closest interconnect that I have tried so far, to the Silversmith, has been the pre-production Vantage all-GOLD-conductor interconnect from England. The Vantage is better at the sense of timing, and also seems to have the deepest bass extension (NOT the most "slam" or "weight", however....quite the opposite actually). The Vantage Gold has the nicest midrange clarity and warmth so far of any ic I've tried (better than my 350 EVO), but very little dynamic realism (UNLIKE the 350 EVO, for instance...it would be the polar opposite in terms of dynamics in the midrange/the whole range...the NBS King Serpent 3 had similar dynamics in the midrange to my 350 EVO, but this was confined ONLY to the midrange). However, the midrange of the Silversmith interconnect was very similar to the Vantage, as I hint at above. But again, the sense of timing was diminished so much with the Silversmith, that it put me off, especially considering the price of the Silversmith ($1600, I think). Mr. Smith informed me that I was "the only one who has found this with his cables"...and I told him I was ok with that. I still like him, cause he is kind, and he has built speakers (the most noble thing anybody can do, IMO)......................................Peizo: You aren't a fan of the top of the line Meadowlark speakers, are ya? ("piezo", their tweeter is the Audax oval piezo-motored one).....AUDIOQUEST, of course. Why do I not think that you've been reading all the mags for very long??
I have been jumping between cables quite abit. I was using AudioQuest Emerald, then Tara Decade, now I just switched to XLO Signature. I think there my favorite so far. Much Faster then the Tara, and better bass control then AudioQuest. PAss Aleph P to Aleph 2: XLO Signature Aleph 2 monoblock amps to Speakers: AudioQuest Argent +
Briweve: I owned the Signature 5.1 speaker cables for a while (be careful with those!! You could coil them up, let go, and cut trees down with them!!!...or kill people). I do want to try the Signature interconnect at some point. Is that the "1.1"? I think that it's possible that XLO's "six nines" copper could maybe be of better quality than "six nines" from other manufacturers, since they claim theirs "costs more per ounce than silver"...they don't say what purity of silver, though!
I am recommeding what has worked for me after trying varied brands all price range interconnects. I, too have Dunlavy V but source and amps from Classe. Try MIT proline between Source and pre-amp and Straightwire Serenade between pre-amp amd amp. This is the combo I have kept. Both cost around $ 300 retail. Balance configuration yiels better results. Try it before buy it. It works for me, it MIGHT work for you. With Serenade you gotta be real patient(speelling?), it take s long time for glare to go-away.
Thanks for the info carl. The piezo moniker was dumped on me in grad school (with no association to speakers at all for that matter) and just happened to fit here. and You're right, I don't spend a lot of time in the mags. I find that real world folks much provide better info for situations much closer to mine i.e. Ejlif. thanks again