Jazz for aficionados


Jazz for aficionados

I'm going to review records in my collection, and you'll be able to decide if they're worthy of your collection. These records are what I consider "must haves" for any jazz aficionado, and would be found in their collections. I wont review any record that's not on CD, nor will I review any record if the CD is markedly inferior. Fortunately, I only found 1 case where the CD was markedly inferior to the record.

Our first album is "Moanin" by Art Blakey and The Jazz Messengers. We have Lee Morgan , trumpet; Benney Golson, tenor sax; Bobby Timmons, piano; Jymie merrit, bass; Art Blakey, drums.

The title tune "Moanin" is by Bobby Timmons, it conveys the emotion of the title like no other tune I've ever heard, even better than any words could ever convey. This music pictures a person whose down to his last nickel, and all he can do is "moan".

"Along Came Betty" is a tune by Benny Golson, it reminds me of a Betty I once knew. She was gorgeous with a jazzy personality, and she moved smooth and easy, just like this tune. Somebody find me a time machine! Maybe you knew a Betty.

While the rest of the music is just fine, those are my favorite tunes. Why don't you share your, "must have" jazz albums with us.

Enjoy the music.
orpheus10
I think that there is no right or wrong when talking about Sound of Jazz.  Rok2id is certainly correct that there are other jazz "greats" that should have performed with the 32 that did, but as frogman pointed out, who knows what Louie Armstrong's or the Duke's availability was at the time of the taping? For all we know, more were invited and either didn't want to participate or were unable to participate.  Plus, mix into that the fact that the format of the show only allowed for 55 minutes of broadcast, so it wasn't as if you could just play as many songs as you wanted.  

Here is the ultimate lineup:
Open All Night (aka Fast and Happy Blues) - Count Basie All Stars: Emmett Berry, Doc Cheatham, Joe Newman, Joe Wilder (tp); Roy Eldridge (tp, flhn); Vic Dickenson, Benny Morton, Dicky Wells (tb); Earl Warren (as); Coleman Hawkins, Ben Webster (ts); Gerry Mulligan (bs); Count Basie (p); Freddie Green (g); Eddie Jones (b); Jo Jones (d)
The Count Blues - Basie, Green and E. Jones playing as John Crosby introduces the show.
Wild Man Blues - Composed By Louis Armstrong, Performed by: Henry "Red" Allen, Rex Stewart (tp); Pee Wee Russell (cl); Coleman Hawkins (ts); Vic Dickenson (tb); Milt Hinton (b); Danny Barker (g); Nat Pierce (p)
Rosetta - Composed by Earl "Fatha" Hines and William Henri Woode. Personnel same as Wild Man Blues.
Dickie's Dream - Same personnel as Open All Night
Blue Monk - Thelonious Monk (p); Ahmed Abdul Malik (b); Osie Johnson (d) (does not appear on 2003 idem DVD release)
I Left My Baby - Jimmy Rushing (v), with Count Basie All Stars (personnel same as Open All Night)
Fine and Mellow - Billie Holiday (v), with Mal Waldron All Stars: Roy Eldridge, Doc Cheatham (tp); Vic Dickenson (tb); Coleman Hawkins, Ben Webster, Lester Young (ts); Gerry Mulligan (bs); Mal Waldron (p); Milt Hinton (b); Osie Johnson (d)
The Train and the River - Jimmy Giuffre Trio: Jimmy Giuffre (cl, ts, bs); Jim Hall (g); Jim Atlas (b)
Blues My Naughty Sweetie Gave to Me (appears on item DVD release, 2003), performed by Jimmy Giuffre, Pee Wee Russell (cl); Jo Jones (d); Danny Barker (g); Milt Hinton (b).

With Billie, Lester Young, Coleman Hawkins, Basie, Thelonious Monk, Ben Webster, Russell, Freddie Green, etc.  It's a pretty damn impressive collection of over-the-top talent to get organized to perform together at the same time and in one place.  Think about the logistics involved to pull that off today . . . Schedules, negotiations, contracts, pay, cooperation among record companies, royalty splits and credits, rivalries, egos, selections that everyone agrees on . . .  It is monumental.

Nat Hentoff . . . he is recognized as a "professor" of sorts of jazz during that period, and like any academic trying to impose intellectual analysis on a visceral experience like jazz will not surprisingly come off like a know-it-all and have opinions that others disagree with.  But looking at what he assembled, regardless of some of his pontifications about one record or another, it was pretty impressive, even judged from these days, not to mention then, when everything was done with letters and telephone calls!

Oregonpapa's thread, "Does West Coast jazz get any better than this?" has some of the best jazz musicians of that genre, on one disc. I'll be covering them individually a little later on.



Enjoy the music.
Good post moto_man.  Also, let's not forget that some (many?) of our music heroes, as much as we may resist believing this, are divas and prima-donnas (this applies to both sexes) and are very difficult and demanding when it comes to public appearances.  Some of them may have wanted too much money, or wanted headliner preferential treatment, or, or,....; have seen it happen many times.  

****I am going to state the obvious and say, Everything we Read, See or Hear concerning the arts, is decided by someone for us.****

Rok, I have to point out, once again, the inconsistency in your stance.  What happened to your "the great unwashed decide" mantra?
moto_man, I missed your penultimate paragraph.  You covered my points in that paragraph.  Again, good post.
moto_man:

I stand corrected, somewhat.  Great players abound, but it would have been better if they had been leaders of groups.  Monk was wasted backing a singer.  

My CD does not include some of the tracks you listed.

Thanks for the info.

Cheers