Jazz for aficionados


Jazz for aficionados

I'm going to review records in my collection, and you'll be able to decide if they're worthy of your collection. These records are what I consider "must haves" for any jazz aficionado, and would be found in their collections. I wont review any record that's not on CD, nor will I review any record if the CD is markedly inferior. Fortunately, I only found 1 case where the CD was markedly inferior to the record.

Our first album is "Moanin" by Art Blakey and The Jazz Messengers. We have Lee Morgan , trumpet; Benney Golson, tenor sax; Bobby Timmons, piano; Jymie merrit, bass; Art Blakey, drums.

The title tune "Moanin" is by Bobby Timmons, it conveys the emotion of the title like no other tune I've ever heard, even better than any words could ever convey. This music pictures a person whose down to his last nickel, and all he can do is "moan".

"Along Came Betty" is a tune by Benny Golson, it reminds me of a Betty I once knew. She was gorgeous with a jazzy personality, and she moved smooth and easy, just like this tune. Somebody find me a time machine! Maybe you knew a Betty.

While the rest of the music is just fine, those are my favorite tunes. Why don't you share your, "must have" jazz albums with us.

Enjoy the music.
orpheus10

Great points frogman. Dave Tough was a big band drummer who was adored by bandleaders and fellow musicians for his ability to make a band swing harder than any other drummer around, but whose ability to play a solo was rather limited. Some musicians, in their pursuit of technical prowess, lose sight of the ultimate object, the big picture---making great music. The legendary guitarist Danny Gatton had just hired a new drummer, and after their first set on a live gig, had a talk with him. Danny said to the drummer "You know that fancy sh*t you play? Don't."

Jazz is a music that requires and benefits from players possessing advanced technical ability, and by the late 1960's that ability was becoming more valued amongst Rock players as well. My peers and I had become quite enamored by drummers Mitch Mitchell (Hendrix), Ginger Baker (Cream), and Carmen Appice (Vanilla Fudge), all players with Jazz-level chops. But pure technique for it's own sake was not universally admired or valued. In 1969 I saw The New Buffalo (led by the sole remaining member of The Buffalo Springfield, drummer Dewey Martin) live, and as they played their first few songs I found myself mystified. None of the four band members were playing anything particularly noteworthy (no pun intended ;-), but the band sounded SOOO good. I suddenly, in a flash, came to understand the principle of ensemble playing. Playing for the greater good of the whole---the band, and the song, rather than to simply display technical prowess.

Great example, Dave Tough; legendary swing drummer for the reasons you mention.  Some players have "the thing".  Hard to explain, but they somehow take things to a higher level just by their presence.  

https://m.youtube.com/watch?v=ygX_pt_aceM

Gotta love YouTube!  In looking for a clip with Dave Tough I noticed that the tenor player on that clip was the also legendary West Coast player Ted Nash, uncle and namesake of Ted Nash Jr. of Wynton's Lincoln Center Jazz Orchestra, one of the hottest and most talented young jazz players around.  That led to this clip of Ted jr.'s  father Dick Nash, brother of Ted sr.  Amazing trombone player and LA studio legend with an incredibly beautiful trombone sound.

https://m.youtube.com/watch?v=GO0i3xCtEtM

Which led to this:

https://m.youtube.com/watch?v=g2BDlwb-uVY

Alex - you know how to pick 'em.  Thanks for those Maceo links.  

Frogman - Another very insightful post from you.  Ever think about doing record reviews?  Better than a lot of the stuff I read.  I should have realized who the JBs were.  Recognized the "sound/style" but thought their name was homage.  Didn't look up personnel.  The trombone threw me a bit too.  I didn't recall one backing him...but it's been a long time and I don't know much of his full career.  Yes, a couple of gems though, as you wrote, not as strong as the package with JB's vocals.  Your comments about Takuya Kuroda very perceptive...I can hear what you critique.

O - were you keeping your silence regarding something I wrote?
In some other time, this was called 'funky'.
Gene Ammons jam session, album simply called 'Funky' from 1957. with great line up of Burrell, J.McLean, Art Farmer,Mal Waldron, Watkins, Taylor

https://youtu.be/TXxFCCXXdDs?list=RDTXxFCCXXdDs
hahaha, Alex.  "Funky" circa 1957 sure was different sounding than a decade or two later.  Interesting how far back some of these terms go.

Definition of funky (from Merriam Webster on-line dictionary)

1: having an offensive odor : foul

2: having an earthy unsophisticated style and feeling; especially : having the style and feeling of older black American music (as blues or gospel) or of funk <a funky beat>

3a : odd or quaint in appearance or feeling
  b : lacking style or taste
  c : unconventionally stylish : hip