Jazz for aficionados


Jazz for aficionados

I'm going to review records in my collection, and you'll be able to decide if they're worthy of your collection. These records are what I consider "must haves" for any jazz aficionado, and would be found in their collections. I wont review any record that's not on CD, nor will I review any record if the CD is markedly inferior. Fortunately, I only found 1 case where the CD was markedly inferior to the record.

Our first album is "Moanin" by Art Blakey and The Jazz Messengers. We have Lee Morgan , trumpet; Benney Golson, tenor sax; Bobby Timmons, piano; Jymie merrit, bass; Art Blakey, drums.

The title tune "Moanin" is by Bobby Timmons, it conveys the emotion of the title like no other tune I've ever heard, even better than any words could ever convey. This music pictures a person whose down to his last nickel, and all he can do is "moan".

"Along Came Betty" is a tune by Benny Golson, it reminds me of a Betty I once knew. She was gorgeous with a jazzy personality, and she moved smooth and easy, just like this tune. Somebody find me a time machine! Maybe you knew a Betty.

While the rest of the music is just fine, those are my favorite tunes. Why don't you share your, "must have" jazz albums with us.

Enjoy the music.
orpheus10

My posts came in out of sequence, enjoy, but disregard Brazil, stay on Cuba.

Thank you.

I've done everything possible, except chain myself to a post, in order to stay off my political soapbox, but no longer can I restrain myself.

In regard to Cuba, I was sitting on my duffel bag awaiting orders to deploy to Florida during the Cuban missile crisis, consequently, I know more about it than most people; but it's way past time to drop that hatchet, and a sack of other hatchets in order to resume normal relations with Cuba. That's affecting all of the poor people of Cuba, as well as the poor people here. Everybody should be tired of silly politics that's only benefiting the "very wealthy", and harming even the upper middle class because they depend on the lower middle class when they're in business, or need to sell something.

Thank you for enduring my rant.
****They don't exist there now, because odds are,they never did. Music in the West created and played by people of African decent, does not mean the orgin is African. Just like in the U.S. People are forever trying to connect the Blues, Jazz and Gospel with Africa. There is no connection. It's all indigenous to the US.****

Rok, if what you say is true then just about every authority on the subject, historian or musicologist, is incorrect; that's quite a claim.

Are you kidding me?:

https://m.youtube.com/watch?v=VT2J1Ot9N5c

Who do we believe? Rok; or jazz master Randy Weston?:

https://m.youtube.com/watch?v=S3L-lG_qmo8
Two pieces of good advice:

1. Never believe anything written / spoken by white people, about black people, and their history and culture.

2. Never believe anything written / spoken by black people, about black people, and their history and culture.

And no, I did not make a typo in #2.

When its come to race, everyone has an agenda. The central theme being what I call "feel good history". Every other group has an "Old Country", so black folks want one also.

Every CD I own by Weston has some so-called African theme, if nothing but the clothes he wears on the cover. But I never hear any African in the music. He is just trying to create history out of thin air.

Even Ellington went around the Third world trying to find the source of certain music, and found it all to be much ado about nothing. He cut his tour short and came home.

Africans take their cue from, and are influenced, by AMERICAN / WESTERN musicians, not the other way around. If Blues, Jazz etc... was from Africa, it would still be there.

The African contribution to music centers around the Human Voice. In that area, they are unmatched! They have a sound that no one else can duplicate.

Some of this African stuff is sort of like 'Indian" music we used to hear in the western cowboy movies. When the soundtrack played 'Indian' music we knew they were coming.

Did Real Indians really play that music in their villages? Or were we just conditioned to associate it with Indians. Same goes for oriental and Latino locations. The music told us the location. Was it legit, or Hollywood? Same with "African" music. Esp the Drum nonsense.

The best percussion I have ever heard comes from Cuba and other latin American countries.

Just one Frenchman's Opinion.

Cheers