Thanks, Frogman. I'm going to trot over to the U of MN's gigantic bookstore and buy a theory text, though that will never tell me how Cater must be able to play the front and back of his string at the same time.
I have done several compare and contrast sessions between Stitt and Parker. Great as Parker was, I prefer Stitt because his sliding in and out of dissonance reminds of how Bach and Brahms maintained the forever forward sound in their music I love so much.
I have done several compare and contrast sessions between Stitt and Parker. Great as Parker was, I prefer Stitt because his sliding in and out of dissonance reminds of how Bach and Brahms maintained the forever forward sound in their music I love so much.