Koetsu Restoration


I just finished a weekend listening to a Koetsu Black I had restored by Soundsmith and thought I should share this with other members. I had it restored with Soundsmith's Ruby Cantilever and Optimized Contour. Their top of the line restoration. I have to confessed I never expected the out of the box performance I heard on this cartridge. I installed it on a second system and my wife said it sounded better than my main system which is $10K more expensive. The level of expression and musicality on this restored cartridge was beyond my expectations. Enough said! Before you discard your old cartridge you may want to consider a restoration. I did and I am really happy with the results. This is the first time I have had a cartridge restored and I am already considering the restoration of two other classic cartridges I have.
dserran
The rebuilt Koetsu Black does have slightly more air and detail, but not to the point of dislike. I don't like too much detail, so I would have noticed any exagerated analytical performance. It does preserve some of the basic qualities I liked of the Koetsu Black. Sorry I can't describe better what my ears hear, I just enjoy what I hear.

My main system is a Acoustic Signature Mambo with a Graham 1.5 arm that has been upgraded to 2.2 status and ceramic wand with integrated nightingale cartridge. To my ears a great set-up and I am also very pleased with it. The system where I am using the Koetsu Black is an Opera Consonance LP2.0 with SME M9 tonearm and the rebuilt Koetsu Black. Phono preamp for the first is Unison Research Simply Phono and for the second Linn Linto. The first is an all tube system whereas the second is an all Linn(SS) system. I have not A-B the Koetsu in my first system so it's difficult to compare one with the other. There are huge differences in the systems and it would be unfair to say that one cartridge is better than the other. I believe that for the price of the rebuilt, and with the system I am using, it's a great cartridge.

Tracking force is a bit less with the rebuilt cartridge than original.
I had my Red Signature retipped by the Experst Stylus company in the UK. I think it's very hard to compare the sound, once you have waited a couple of months for it's return, but it sounded pretty darn good to me. They replace tip and cantilever if necessary. Cost £225 against £1800 in the UK for a rebuild, the maths is pretty compelling
Threaders : Peter of Soundsmith is a rare genius in the field of cartridge rebuild. Many of us have been content until listening to his work. In my world of audio-heads here and across the pond , Peter is the most respected cartridge builder. Please consider these comments before thrashing $$$$ rather than a re-build. Cheers !
The suspension finally collapsed on my old Koetsu Rodewood Signature. Soundsmith did a suspension reconstruction plus the ruby cantilever and optimized contour diamond. It's hard to compare by memory, but there's no doubt that the rebuild has a higher resolution than the original. I'm very pleased.
20 years? Do these cartridges really last that long? I was thinking about buying a Black and even if it last's half that long that would be awesome..

My pre-amp is a Mcintosh C220 and it has about 64 db of gain, would this be enough for the Black? and if so what would kind of step up would be a good idea?

thanks

Mark