@onhwy61, as you may already know, a good small diaphragm condenser mic is best for cymbals. I’ve been recorded with Sony’s (don’t know the model number, but I believe they cost over a grand), the Shure SM81, AKG’s, and Neumann’s (very expensive, found in major studios only). Two used as an overhead stereo pair (one purely left channel, the other right) creates a natural image with "spread".
Whatever mic you use, try using a pretty hefty amount of compression on the pair. A ride cymbal (played with the tip of the stick) so recorded creates an intense CLICK sound, very percussive. That really helps with mediocre ride cymbals, which typically lack attack and focus, Ginger Baker’s being a perfect example. Mushy!