Stiltskin,
Whatever you put into the phono would define what the phono stage is. Basically, it has be taken as a single source component. Only as strong as the weakest link. Also, Zanden has a SUT as does Kondo. I would say the cartridge needs to match with the phono stage to know what the phono stage is capable of. While a solid state phono stage is more accomodating of different cartridges it also has some synergies due to gain, and different strengths. For example, my Koetsu's loved solid state. Their warmth was balanced by the extension and dynamis of solid state. When I tried a tube phono the Koetsu became too warm. But again this depends on the tubes being used and the SUT.
As far as phono stages there is a thread on them elsewhere that is fairly informative but not contextual as to system specifics. The list of "great" phono stages is long. But I would wonder what you have already prior to saying what is the best phono for you. Also, remember at the top of the ladder the law of diminishing returns sets in.
Whatever you put into the phono would define what the phono stage is. Basically, it has be taken as a single source component. Only as strong as the weakest link. Also, Zanden has a SUT as does Kondo. I would say the cartridge needs to match with the phono stage to know what the phono stage is capable of. While a solid state phono stage is more accomodating of different cartridges it also has some synergies due to gain, and different strengths. For example, my Koetsu's loved solid state. Their warmth was balanced by the extension and dynamis of solid state. When I tried a tube phono the Koetsu became too warm. But again this depends on the tubes being used and the SUT.
As far as phono stages there is a thread on them elsewhere that is fairly informative but not contextual as to system specifics. The list of "great" phono stages is long. But I would wonder what you have already prior to saying what is the best phono for you. Also, remember at the top of the ladder the law of diminishing returns sets in.