SACD finally taking-off? non-classical listeners

With all due respect to those who see this as a modern-day version of the Hatfields and the McCoys, some of us do rest in the middle. I happen to like the sound of vinyl, and listen to plenty of it. But I don't need to make myself feel good by spouting a lot of bogus technical reasons why vinyl is superior to CD. I'm quite aware of all the real reasons why CDs are more accurate than vinyl can ever hope to be. But I still like to listen to vinyl.

For the record, I now have analog, CD, SACD, and DVD in my system. I use all of them to varying levels of enjoyment. I have no desire to have my comments interfere in any way with anyone else's enjoyment of their system. I have my preference as I have stated in the analog section of this forum. And I believe that I have stated the technical facts in a cogent and mathematically supported way. If anyone disagrees with my position, and prefers CD or something else, that is his/her right and privilege to so do, and I would not try to interject my preference over theirs. I may engage in friendly, lively discussion of the matter, though.

It occured to me that if some of the arguments used against SACD were used years ago, we would only have one band on our radio dial, AM.

I was thinking during dinner tonight (something I try to avoid at all cost) and it occurred to me that one of the great banters of the "down with SACD" group is that there is no software and it costs too much. If this is being stated by a pro digital person than they are missing the boat on getting great playback from there existing library through a SACD player. If the comment is coming from the pro vinyl than I find myself a bit confused. I was paging through a couple of catalogs, Music Direct and Acoustic Sound and found that the new vinyl re-mastered is approx.. $30-45. The new re-mastered cd is about $15.00 and the SACD is $17-25. So the argument must not be price in that vinyl is more and SACD is only 15-50% more. It comes down to available titles right? Well it seems as though a lot of the new released "re-mastered" older jazz is coming out in both SACD and vinyl so that must not be the issue. Of course there are titles coming out in SACD that have not yet made it to vinyl and as there are the other way. So as far as I can see it's just plain stubbornness and as Bishopwill states a blind love for one or the other. Do you think in 5 years the price of SACD or the price of vinyl will drop? Let's see, .01% of the population for vinyl and a potential 50% for SACD, hard to say where the new releases might come out. Oh and in response to all of you who pride yourself on finding the $1.00 album from 1972, I'm thrilled for you, I'll stick with the re-mastered version even if it is in digital.

I think we could all agree that some will insist on vinyl until the day they die, no matter how much new material becomes available. I believe some will stay with there 300b SET tube amps even when the NOS becomes $1000 per tube. That's what the Audiophile industry relies on, our stubbornness and willingness to buy the obscure.

Again, Jadem, well said! And Bomarc demonstrates the enlightened attitude that we all might well adopt: Listen to what you will, believe what you will, eschew dogmatic pronouncements about the superiority of one medium over another, have fun.

will