Perhaps I'm a bit daft, but the logic of the prevailing "straight wire with gain ... equalization=distortion" paradigm really mystifies me. The underlying premise that I read in most of the above thread is that EQ violates the purity of the source material.
Throwing caution about being flamed to the wind, may I ask a simple question? What happens in the mixing studio -- if it is a "straight wire with gain" kind of process, then why is it called a MIXING studio? Don't they equalize the bejabbers out of the performance that is being recorded? And if so, does equalization only become pernicious after that point?
To me, this is the logical equivalent of my local municipality refusing to treat the water that they pump from the river because they don't want to adulterate the purity of it. If indeed the water were pure, this would make sense but it doesn't because every upstream municipality dumps their treated sewage water into the river. How does this differ fundamentally from equalizing that which has already been equalized?
Just curious :-)
Throwing caution about being flamed to the wind, may I ask a simple question? What happens in the mixing studio -- if it is a "straight wire with gain" kind of process, then why is it called a MIXING studio? Don't they equalize the bejabbers out of the performance that is being recorded? And if so, does equalization only become pernicious after that point?
To me, this is the logical equivalent of my local municipality refusing to treat the water that they pump from the river because they don't want to adulterate the purity of it. If indeed the water were pure, this would make sense but it doesn't because every upstream municipality dumps their treated sewage water into the river. How does this differ fundamentally from equalizing that which has already been equalized?
Just curious :-)