I have about 20 recordings on this label (and its relative, WildChild). I have mixed feelings about this label: some of their recordings are technically excellent, but the music wears a bit thin after several listenings. Also, the recording technique used by Pierre Sprey produces a VERY close, dry perspective -- sometimes to the point that the microphone feels like it's within inches of the player or singer. I think most of their recordings make great demo pieces, but I find them tiring after repeated hearings.
- ...
- 10 posts total
- 10 posts total