Why not more on 845 SETs?


As a brand-new owner of a Bel Canto SETi40 int amp,(bought used) I was intrigued to see very little in the fora on the subject of 845 SET amps an A'gon. It seems that this provides the best of both worlds -adequate power to drive most moderately sensitive speakers- 40 Class A SET WPC with SET sound. What is the downside to this approach and why don't more of the SET groupies have higher powered amps, giving them much more latitude in speaker selection? I drive 4 ohm 87 db sensitivity Totem 1 Signatures quite adequately with this amp. Is it beacuse of transformer issues, difficulty in finding adequate designs, size or the feeling that this is not a true "SET sound"?
I would like to hear SET-owners' reasons, if possible.
springbok10
Tom(thetubeguy1954), Single Ended Triode Amps Group Moderator, where are you when we need you!
This is the 845 tube man...he has the Mastersound 845 Reference, parallel tube SET, 40 WPC, and absolutely is a fanatic about this amp. Maybe he'll pipe in here...
Ed...thanks for your input also.
MC
My deHavilland Ios amp is the best amp I've ever heard. I'm wondering how
the dehavilland 845 products stack up against the other 845s? What speakers
work well with 845s? I'm using it with 88 db JMR Trentes and the Ios really
makes them sing unlike any other amp has been able to. I wonder how they
would work with more efficient speakers?

If one were to generalize what are the characteristics of the 845 and the 300b
in comparison? I would appreciate any descriptions here.
I own the older model deHavilland Aries 845 SET
amps-25 watts x 2. And a deHavilland Verve preamp paired with the Aries amps. Both units are 2 years old & bought used from Audiogon this past summer. Got the Verve preamp for 1/2 of retail price & the Aries amps for slightly less than 1/3 of retail price. Kara Chaffee & deHavilland make great sounding amps & preamps. Kara & deHavilland are also extremely helpful & friendly. They provide 1st class support & info even when you are not the original owner of one of their fine products. I am using the deHavilland combo with a pair of 1983 Klipsch Cornwalls. The previous original owner had the faceplates of the Aries amps & Verve preamp goldplated at a plating shop. He also had an oversized volume knob & source selector knob machined at a machine shop for the Verve preamp. The knobs were also goldplated. The sonics are great to my ears and are purty to look at as well to this Texan. The Aries are my favorite sonic flavor of the 4 amps I own. I have never heard a 300B SET amp or 300B PP amp so I
can't give an opinion about their sonics.

My other amps-factory assembled Welborne Labs
Moondog 2A3 SET monoblock amps with Ultimate parts upgrade paired with a factory assembled Welborne Labs Reveille 6SN7 tube preamp. And 1977 Klipsch Cornwalls with an upgraded new Type B crossover using Auricaps. DeanG a Klipsch Forum
member builds new crossovers for Klipsch speakers. The Auricaps are much better sounding than the motor run paper in oil caps that Klipsch used in their stock crossovers. Llano Phoenix CAS 300/VA2 mosfet/tube hybrid amp. The separate VA2 voltage section uses 6SN7,6SL7 & 12SN7 tubes. Currently using a pair of 12SX7 tubes in the VA2 voltage box. The Llano is paired with a Mcintosh C 38 preamp & JBL LX 55 speakers. Have a spare Mcintosh MC 7150 ss autoformer amp.

The deHavilland gear, the Welborne Labs gear & the Llano amp were all bought from here on Audiogon at excellent prices. Audiogon has been very very good to me!
Yes, I'd like to say a little bit, The 845 is the King of SETriode Tubes, Period! I've yet to hear a 300B, 45 or 2A3 that I would trade my Mastersound for. Please don't misunderstand me. I find the 45, 2A3 & 300B, all to be very musical, BUT the 845 is as musical, if not more musical, and has enough nut to drive real world speakers.

I've noticed one thing the fans of 300B, 2A3 or 45 never mention is... how much the triode tube's sound is directly influenced by the tube that drives it! So what we really have is a Gestalt type of thing, where the whole is greater than the sum of it's parts. Sure a 45, 845, 2A3 or 300B all has a characteristic sound, but so does the tube that drives it! The 300B driven by a 12AX7, the 300B driven by a 5687 etc all sound different. As does every tube we've mentioned.

Now to this day, to these ears the 845 driven by the 6900, is the closest thing to audio nirvana I've ever heard. The truth is, that in my Mastersound when the 6900 is replaced by a 5687, it's COMPLETELY changes the amps signature. It's still an incredible amp, but it's also completely different and NOT as musical. It seems only 845 tube lovers and designers talk about the influence of the driver tube. I know deHavilland talked quite a bit about the influence the driver tube they used on their 845 based amps and how this combination of 845 and driver tube is what made their amp so special.

I know this, "IF" you haven't heardan 845 tube driven by a 6900 tube, you have no idea what an 845 tube can do!

thetubeguy1954 (Tom Scata)
I personally think that the additional power in an 845 SET is not necessary. But, I guess that if someone wants to power some less-efficient multi-driver loudspeakers, it would be useful

What I would ask about this is, why would someone want to use a SET amp, and then drive inefficient multi-driver speakers with it? Perhaps I'm in a fog here, but I thought that the purpose of a SET amp was to provide coherence and purity of tone and harmonics. If you take the amp's output, and chop it up into bits and pieces in a phase-shifting passive crossover network which also causes other distortions, and eats up power and detail, use different drivers which inherently have different radiation source points, sonic characteristics, and dispersion patterns, and introduces odd-order harmonic distortion to a previously(primarily) even-order signal distortion profile, are we really getting what we wanted to get? I don't think so. But we will get what approximates a reasonably flat response test curve, as long as the output impedance is significantly enough below the speaker impedance curve to avoid reactive effects on the amp's response curve(not likely). What we really get with this kind of combination, is the relatively high even-order distortion profile of the amp, added to the even-order and also the easily discerned odd-order distortion profile of the multi-way speaker, making system distortion higher than necessary, and also in content(odd-order)which spreads out all over the spectrum, instead of primarily at the 2nd harmonic. In the case of lower efficiency, lower impedance(4 ohm) multi-driver speaker sytems, we can add the practically total loss of damping factor and cone control, and making the amp's freq response curve fluctuate with the speaker's reactive impedance curve, and add this to the inherently low internal damping ability of the less-efficient speakers, all causing bloat, flopping around cones, no tonal accuracy, and wild frequency response, added to all the other problems. Why someone would want to do this is beyond me, except maybe that they are after some deeper bass response at the significant expense of purity in the rest of the spectrum.

IMO, an efficient higher impedance single driver system is what is best with a SET amp. In that case a small 45, 2A3, or even 300B is fine.

If you want to say the 845 is better for deeper bass, fine, but I contend that it is not enough power for deep bass, and probably would require a powered subwoofer or powered woofer anyway for that purpose(another seam).

The issue is what is the goal of a SET system. Is it to simply provide a Class A amplification source, or is it to be something more than that? That's for the user to decide.

IMO, a SET amp can be much more than just a Class A amp. It can provide a distortion of predictable and less-invasive profile, that can be effectively utilized to work in a complementary fashion with certain loudspeakers, to create an overall system distortion profile of primarily easy-on-the-ear even-order harmonic distortion located in a fairly narrow range of the 2nd harmonic area, and nearly eliminating any of the problematic odd-order distortions which are so much more discernible to the ear that only extremely small amounts of it can be tolerated. Additionally, with the "certain"(single driver) speakers, it can deliver the sound from the amp without the inevitable multitude of problems associated with mainstream multi-driver speaker systems. Sure, single drivers have issues too, but delivering pure coherent high-detail sound with mostly even order distortion products at one area of the spectrum is not one of them.

My caution is thus, when you make a decision for a component, is it not a good idea to make the most of what it can do(as a whole), instead of trying to "shoe-horn" it into a more conventional role? I think so. The conventional wisdom of choosing a higher power amplifier, in order to make a wider selection of speakers possible to use(multi-driver), actually can lead you into a snafu which would not have been easily stepped-in with a lower power SET amplifier. The very fact that the low power SET amps practically forces you to use a high-efficiency single driver system(or horn) is actually a good thing, and not a limitation. The low power of the amp is actually almost "forcing" you to make the right decision. When higher power is available, then you can step right into the crap, unless you know what you're doing, and why you're doing it.

If you want to use an 845 SET, and you like it, that is fine, and there are some really good ones out there. However, there is alot more to a SET amp than how many watts it has, and whether it provides Class A amplification. With this type of amp, we can go beyond the mainstream, and get more than is typically available from more "normal" amplifier designs, if we study what they do and how they interact with various loudspeaker designs.

If you take a look on the web, at an article called "Why Single-ended amplifiers?"" by Audiopax's designer and engineer Eduardo de Lima(http://usuarios.uninet.com.br/~edelima/REASONS.htm), you can see his testing, graphs, and descriptions of the interactions that I mentioned above. He even shows how careful phase alignment of the speaker and amp output can work to reduce overall system distortion to below what any other type of package can produce, by using this type of combination.

I know this is a "radical" concept, but there can be more to things than easily meets the eye.