Ben, thanks for responding. While I appreciate a good fart joke, and do feel this hobby can push you into utter absurdity, I would like to go through this with another member of the forum.
Anyway, the particular spot begins in Track 3, 'Take Five,' @ 2:37 and through 4:20 when Desmond reenters the mix. My 2:37 mark in the recording begins with the other players pulling back and Morello entering with a drum roll up followed by a hard thwak. Ever so slightly later, from the just right of center position, there's a reflection. Right where Wright is playing. This effect continues for minutes, to varing degrees, with a final pronounced reflection @ 4:18 just before Desmond reenters.
If this is what I think it is, then I find it amazing. While it is a reflection of *some* sort, to have it come of the bass is significant to me. For I have grown up in a family of muscians, have many as friends, and frankly, when I listen to them live, I find there to be so many secondary acoustic effects that it can be a bit much to listen to critically; I simply become overloaded with information and must focus on a particular player to keep from being distracted. That my system could picking up a second order effect of this magnitude is amazing.
So, Ben, thanks for your thoughts. And Mbhcid, if you listen critically to this, could you tell me if it is a tape splice or something else?
Best to all (particularly to Tarsando and company for the good laugh :)
