Speakers that are very accurate sounding but don't produce an emotional connection.


I have listened to a few speakers over the years that impressed me with their accuracy and presentation of the music, but just did not create an emotional response or connection. I have often wondered what that quality is in some speakers that produce an emotional connection with the listener. This quality has been identified by audiophiles, as "magical", "engaging"  "just right"  "euphonic"  "natural"  "true to life". " "satisfying"  "musical"....  I am sure there are at least 50  other  adjectives that could describe this "quality" of  sound . 

Considering the various aspects  of achieving  good and accurate sound by component synergy, is there a way to explain this so-called magical element that often eludes so many of us??.  I don't think such a feeling is temporal, conditioned by personal moods, or the phases of the moon or sun.  

Like to hear from members who have given some thought to the same issue.    Thanks,  Jim   

BTW, I know the thread is a bit out there, but  I don't think the topic is pointlessly pursuing the genie in the bottle. 


sunnyjim
For those of you replacing equipment or spending your $ chasing more "palpable" sounds of particular instruments on particular recordings - you won't ever stand a chance of achieving overall improvement on each and every recording. The only way to achieve greater performance overall  is through equipment that is as accurate and transparent as possible. Equipment that works on each and every track and presents them as faithfully as possible.

For sure a colourful speaker can make some recordings more enjoyable (to your taste) or lend themselves to a particular genre - if your tastes in music are extremely narrow then this approach may work for you.

As for what was "intended" and trying to second guess that - well this just confuses the issue of high fidelity further instead of accepting the recording is what it is (imperfect and all that)!
Shadorne- Assuming you refer to only excellent recordings, I agree that greater performance overall will come via accurate equipment setup correctly in an adequate room. That's been my experience anyhow, and yet I can't ignore that sometimes a louder and more forward instrument can be quite captivating and therefore more emotionally moving. 

It's possible that one can have extremely broad musical tastes, but still prefer some recordings over others not because of how faithfully they're reproduced but because they want to get that emotionally moving fix over and over again. Hey, I like me a mean sax which can be heard in countless genres of music. If I was a sax addict, I would probably be more likely to go in the direction of what pleases me most: more sax!

Thank god I don't have that problem!
For sure more color is attention grabbing just like a speaker with boosted bass and treble can seem wonderful in a short audition and particularly with certain tracks like Daft Punk. Over the years though, an accurate response will better portray your entire collection and lead to greater enjoyment. 

Think of of it like a partner - for the long haul, do you choose the sexy crazy insane person that is exciting and full of surprises but proves totally unreliable in many situations or a balanced person who is solid and just right in all the important ways both inside and out. 
As with all audio 'chat', it may be interesting, but trying to explain your nervous system, and how it 'sums up' to your perceptions, is kind of folly.  But, in the spirit of audio chat, my recent drastic improvement in my system, to the point where I am extremely content, involved replacing the capacitors in the crossover, which were middle of the road, with Jantzen Audio Superior-Z Caps.  It cost me $500, but it was the last chink in what should be an exceptional 'Horn' system, composed of Volti Audio, McIntosh Mc-30s, McIntosh MEN-220, and MCD-500.  I absolutely love my electronics, but without the 'best' Caps prior to the drivers, there simply is not the possibility of getting 'there'.  Of course, I could spend $1500 on the Caps, and purchase the best Mundorf, but for me, I have reached my level of saturated contentment......and the rest, for me, is folly. :)
But, my feelings might be a bit different, if it were possible to actually hear some of the speakers that have my attention, such as Harbeth or Devore 0/96.  Being that this is such an expensive hobby/passion, I ain't laying down the money to purchase, and then being 'stuck' with the item.  I have sold, and lost a bunch of money, on used speakers.  It becomes even more of a pain when no one is purchasing audio for realistic prices, or at least what I see as realistic.