Why is 2 Channel better than multi-channel?


I hear that the music fidelity of a multi-channel AV Receiver/Integrated amp can never match the sounds produced by a 2 channel system. Can someone clearly explain why this is so?

I'm planning to upgrade my HT system to try and achieve the best of both worlds, I currently have a 3 channel amp driving my SL, SR, C and a 2 channel amp driving my L and R.
I have a Denon 3801 acting as my pre. Is there any Pre/Proc out there that can merge both worlds with out breaking my bank? Looking for recommendations on what my next logical steps should be? Thanks in advance.
springowl
In response to Sean's post, who is the 'they', as in 'they've been trying to get two channel reproduction dialed in for years'?
There are poor recording engineers and companies around, and there are pressing plants that contribute to serious degradation in output, but there is also a strong and fanatically devoted group of recording and mastering engineers who take their jobs with the utmost seriousness, as well as artistry.
Regarding techniques for multichannel audio, there are people currently working with ambisonics, ambiophonics, 7.1 and other non-5.1 multichannel miking approaches, as well as JJ's. Those working in these techniques are in academics and recording studios, as well as the pro audio engineering industry.
There is much to be learned in multichannel. But it is a serious mistake to think noone is working in it, and that noone thinks beyond profitability. The more challenging issues are how to produce and market audio-centric multichannel, and what speaker arrangements (as well as types) make sense.
I like Sean's earlier post in which he suggests that the 'commoner' may be the early adopter. True. Audiophiles may be so heavily vested in two channel, that a younger and more flexible, home theater-acclimated group becomes tomorrow's multichannel audiophiles.
My comments were based on what i purchase in terms of recorded music. In plain English, i think that the "average recording" is strictly "average" at best. Those that truly stand out are far and few between. As such, i think that until the bar can be raised on 2 channel recordings to the point that the "average" recording is quite good, we are doomed for an even longer "learning process" and "fiddling with controls and effects" in multi-channel. While this is not to say that multi-channel doesn't have potential, it is meant to say that the old "K.I.S.S." theory ( Keep It Simple, Stupid ) is still quite valid. Even in these days of "high tech" and "digital ready" gear and recordings. Sean
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I have been into HT for a while and currently have a system that rocks with movies that are produced well. My whole set up cost me less than 7K. Certainly not audiophile class.
I recently started to listen to more music and was trying to figure out what the best solution would be ie. upgrade home theater system or a separate system for each. Here what I have learned so far.
For home theater fronts and rears are best using identical speakers. Center channel would probably work best with the same speaker again. This usually becomes a problem with regards to shielding.
If you were to set up a system like this for music as well as HT it would work fine if you use a processer with 5 channel stereo (a dsp mode).
Problem is the cost/space for extra speakers.
For audio two channel seems to be the way to go since there is very little that is produced to listen to in any other format and even less that is done well.
I just picked up a pair of Joseph Audio monitors to use for music and will probably purchase a new amp to run them. Hopefully this will make a big enough difference in quality to justify the cost of additional equipment.
So here's the end result of my research so far. Ht set up is for HT and if you want to listen to music, get the best pair of speakers and amp you can afford and stick to two channels. At least until there is something produced for multi-channel listening that's worth doing an all in one system.
Just a newbies opinion.
"Certainly not audiophile class."

What are you talking about, man? Proper component selection and matching is what makes a system "audiophile class". If you know what you're doing, get your electricity properly filtered and your speakers and room acoustics setup right, you'll have "audiophile class" without having to spend outrageous money.

More than a few people have expensive systems that are not musical. A total waste of resources, I would say.

Musicality is the name of the game.

Take it from one of the kings of bargains...
Most engineers can't get it right with only two channels, I have very little faith that any will get it right with 5, 7 or 10 channels.