Name three of yours the most favourite drummers


I nominate the following

1. Mark Nauseef
2. Ginger Baker(yeah, the erly one!)
3. Jackie Liebezeit
128x128marakanetz
Phil Collins - master already at 21 on "Nursery Cryme": see the Belgian TV Show March 1972 and that humble kit. Class, plays brilliantly also jazz in Brand X and later in his career (simpler) pop with ease.

Jon Hiseman - the ultimate driving force for all the bands he has played with. COLOSSEUM LIVE, 1971. He´s actually a jazz man but comes behind no-one as a rock drummer. The Leader.

Carl Palmer - positive attitude, like Keith Moon´s. Ultimate power like Hiseman w/ superb skill, very technical and very very fast, still with taste and a style of his own. Like Hiseman, has jazz soul and that makes him high above of rock drummers.

Bill Bruford - a true jazz man, never dull just pure style & class. The greatest fusion drummer really. King Crimson 1972 -75. Sublime and very creative stuff. Alongside Palmer, the only "technically perfect drummer" I can stand.

Jamie Muir is a genius but he´s a percussionist really. Creative and unique. He shines in King Crimson 1972-73, that line-up w/ David Cross created the best avantgarde/jazz/rock/fusion. The German Televison program late 1972 is telepathy.

John Weathers - prog rock´s Keith Moon - go figure :^ ))
Furio Chirico - jazz/fusion´s Carl Palmer - go figure : ^)

Enjoy the music
Phil Collins is making another album. I heard though the grapevine he's back in the stu-stu-studio.

😧

Do you like Phil Collins? I've been a big Genesis fan ever since the release of their 1980 album, Duke. Before that, I really didn't understand any of their work. Too artsy, too intellectual. It was on Duke where Phil Collins' presence became more apparent. I think Invisible Touch was the group's undisputed masterpiece. It's an epic meditation on intangibility. At the same time, it deepens and enriches the meaning of the preceding three albums. Listen to the brilliant ensemble playing of Banks, Collins and Rutherford. You can practically hear every nuance of every instrument. In terms of lyrical craftsmanship, the sheer songwriting, this album hits a new peak of professionalism. Take the lyrics to Land of Confusion. In this song, Phil Collins addresses the problems of abusive political authority. In Too Deep is the most moving pop song of the 1980s, about monogamy and commitment. The song is extremely uplifting. Their lyrics are as positive and affirmative as anything I've heard in rock. Phil Collins' solo career seems to be more commercial and therefore more satisfying, in a narrower way. Especially songs like In the Air Tonight and Against All Odds. But I also think Phil Collins works best within the confines of the group, than as a solo artist, and I stress the word artist. This is Sussudio, a great, great song, a personal favorite. 😬


@geoffkait
I enjoyed reading your opinions on Phil Collins and Genesis even though I probably take the exact opposite view of his/their discography. Prefer the prog rock stuff and enjoyed most of their output through And Then There Were Three.

With Duke, Abacab and the s/t Genesis, they started to lose me a little bit more with each release. Didn’t follow them closely after and never bought any of those. Some of the tracks just too obviously commercial and dumbed down compared to what they were capable of (or so I thought).

It has been a LONG time since I’ve even considered Invisible Touch. But thanks to your comments and Tidal/Spotify, I’ll be sure to check it out.

Good that @harold-not-the-barrel brought up Collins’ work on the early Brand X albums (e.g., Unorthodox Behavior). Saved me from mentioning it. Quite some versatility on display there.

Glad to read from you about something other than directionality !! ;-)
Time for me to come clean. The Phil Collins paragraph I posted is actually the very sarcastic monologue spoken by the protagonist of Amercian Psycho, Patrick Bateman. A thousand pardons. 😛