Minibox, As I'm sure you can imagine, the 3.7's are a much better speaker than the 1.7's. As it turns out, I auditioned the 3.7's and the 7Ts on the same day in the same room using the same superb front end. On the music I listen to, mostly orchestral stuff, I did not really miss the lower octaves that the Aerials bring to the party. I may add a couple of subs at some point, but its not a high priority for me. I found the bass on the Aerials somewhat tubby, but that could have been room placement issues. For me, there was something not quite right with the Aerials. The timber seemed off just a bit. The Wilson's hit instrumental timber dead on. I am sensitive to pitch and timber, to the point where something being just a tad off is a show stopper. The Dali's also got that right, as do the maggies.
With respect to WAF, my wife thinks the maggies look cool, and they are in our living room, 5 feet out from the back wall. She hated the appearance of the Wilsons, and fortunately, I had the good sense not to show her the Dalis and Aerials, both of which are just drop dead gorgeous visually. Any chance you could audition the Dali 800Mk II's? I really worried about the 400's with orchestral stuff. In the end, you are probably not going to go terribly wrong with any of the 3 you are thinking about.
With respect to WAF, my wife thinks the maggies look cool, and they are in our living room, 5 feet out from the back wall. She hated the appearance of the Wilsons, and fortunately, I had the good sense not to show her the Dalis and Aerials, both of which are just drop dead gorgeous visually. Any chance you could audition the Dali 800Mk II's? I really worried about the 400's with orchestral stuff. In the end, you are probably not going to go terribly wrong with any of the 3 you are thinking about.