Vibration Theory - Isolate or Drain?


Given that a CD Player or Transport has quite a bit of internally generated energy from the motor, is it best ti deal with vibration issues by coupling the player to a surface with spikes or cones? or decouple the player from the surface beneath it with spongy materials? Any consensus on the best approach here?
pubul57
"All of these are filters of sorts and there is no such thing as a perfect filter anymore than isolation is perfect or even possible except in the absence of matter. "

Hmmmm....that would probably explain the proliferation of vibration isolation devices for audio applications in the past 12 years.

LOL
Geoff

Paint by number, flavor of the month, retune your system because you don't like it today, mix and try to match, hodge podge, soup sandwich...greed, great marketing.
All based around the misuse and misapplication of the word isolation. Crying out loud.. Vibration can be given direction to ground..and has for more than 12 years aahh since the big bang. So called isolation devices and associated materials only interfere with the transfer of energy to greater mass. My preference is material grounding because it is predictable, consistent and musical and works outside of the impossibility of isolation. Tom
Perhaps you don't acknowledge or are dismissing the transfer of seismic/structural vibration to the component. I mean, that's really the whole point of isolation. isn't it?
If I am I reading Theaudiotweak right, I think he means isolation without knowing what you are isolating within the equipment is meaningless in the end. You don't know what modes (components in the equip) you are isolating and which ones you are exciting. Unless of course the isolation is designed custom made for the particular equip.

There is more guranteed and predicted results with weighing down or grounding the equipment. Of course type of material used to ground is important. You do not want material that rings or its own 'sound' to it.

Overall , agreed with Theaudiotweak.
The problem is all frequencies are coming up from the floor to the component, not just selected frequencies. Of particular importance, obviously, are frequencies in the range 8-15 Hz, the resonant frequencies of such things as tonearms, cartridges, CD laser assemblies, things of that nature. Higher frequencies excite other elements such as capacitors, internal wiring, chassis, and so on. So, there's no need to "know what you are isolating within the equipment." Follow?