Axelwahl,
Sorry for your sonic pain. I've no doubt you hear exactly what you describe. I used to hear it too. I don't now, ever, and I agree with Dan_ed. Inner (or outer) groove distortion does not have to be accepted.
There's at least one thing you didn't mention and presumably haven't tried (because your tonearm won't let you?). You haven't done a really good alignment of your cantilever zenith angle. This requires a headshell with room for movement (ie, slots) and a truly good protractor.
Sliding an SME back and forth moves the null points, which is why you can shift the distortion from inside grooves to outsidge grooves, but it doesn't change the overall alignment scheme to one that eliminates distortion at both extremes. For that you need a top quality protractor designed to such a scheme and a tonearm that will let you use it.
Until you have the right tools, you'll continue to beat your head against this wall.
Sorry for your sonic pain. I've no doubt you hear exactly what you describe. I used to hear it too. I don't now, ever, and I agree with Dan_ed. Inner (or outer) groove distortion does not have to be accepted.
There's at least one thing you didn't mention and presumably haven't tried (because your tonearm won't let you?). You haven't done a really good alignment of your cantilever zenith angle. This requires a headshell with room for movement (ie, slots) and a truly good protractor.
Sliding an SME back and forth moves the null points, which is why you can shift the distortion from inside grooves to outsidge grooves, but it doesn't change the overall alignment scheme to one that eliminates distortion at both extremes. For that you need a top quality protractor designed to such a scheme and a tonearm that will let you use it.
Until you have the right tools, you'll continue to beat your head against this wall.