Geometry for pivot tonearms - calculation errors??


During several threads in Audiogon's Analog forum the question of pivot tonearm geometry was discussed widely and wildly the past weeks. There seems to be a great confusion about the interelation - and interaction - between overhang, offset, effective length, mounting distance and the position of the 2 zero-error points on the arc over the LP's grooved area.
However - the correct tonearm geometry is paramount for the performance of any analog sourced High-end system.

Do we need a new calculation of these parameters?
Is mounting distance a variable factor in a given pivot tonearms geometry?
Can overhang serve as the fixed parameter for a pivot tonearm?
Is effective length a variable or a fixed parameter in pivot tonearm geometry?
Is there anything like an optimum geometry for a given cartridge/pivot tonearm set-up?

I invite all interested in this complex and very important topic to contribute their thoughts. If possible please do include the geometrical derivation for any given theory and opinion.
This might be difficult in some examples, but please try.
By doing so, - this will keep this thread on terms and will make it more valueable for all.
dertonarm
Howdy,
here me meet again.
Just been thinking about Dear Lewm's input, which makes me think to start a thread for the 'poor' V owners i.e. which carts are a GOOD/BEST fit?

I guess we'd mostly look for MCs despite Raul's most extensive experience in MMs.

The cart stylus to mounting hole distance IEC-standard? is in any case to be 9.5 mm for the V arm.
DerTonarm will want to know it a bit more down to the 100th mm so we'll call it 9.52 mm (actually 5/8"). Now for me that begs the question why ICE would have settled for inches?! The mounting hole distance of 1/2" is also not quite metric, now is it?

What do you think? There'd be some folk to give some best fit input?
I use a Windfeld as you know --- and I would not add that to the list of BEST FIT! Amen. Sound great, but not BEST FIT in the alignmnet sense, methinks.

What else can a V owner do? You have mentioned all's fixed, can't even mess around with different flavours A, B, Stevenson...
It's vanilla SME, or go buy some other tone-arm, right?

Best greetings,
Axel
Dear Axel: My experience on cartridges are that: experiences on cartridges, MC or MM. I don't now why I give the impresion that I'm or have a MM bias, I'm not.
I have several MC experiences with vintage and today cartridges ( I own and owned ) and like the MM ones the MC has its own advantages and dis-advantages, same with the MM.

+++++ " With the "right" cartridge, it is a VERY serious tonearm... " +++++

absolutely yes.

Btw, the non-perfect world on the cartridge building is more " delicate " because this audio item is not a " mass production " one but almost made each one by hand where we even find " differences " between cartridges on the same model. So what the " poor " V owners have to do is " wait " to be lucky with the cartridge we have. Of course that are some " things " that we can do but always this " things " are add-ons that ( one way or the other ) could compromise the performance.

Dertonarm, I have too some interesting subjects on the LP " standards ", we keep in touch very soon.

Regards and enjoy the music.
Raul.
Raul,
you are one of a dieing breed that STILL knows about MMs! That does in way mean to imply that you ONLY know about that.
But how many folks have gone through a truck load of that MM stuff? Nobody I'll ever know I'm sure, so please see it as a compliment and NOT as a limitation.
Bless you,
Axel
PS: so please give me some idea about the Shure V15 on a SME V, now how about that?!
Dear Axel: I mounted my 97Xe ( a small brother of the V15 ) in the IV and works fine so I don't see any trouble with your combination.

I don't like to speak about devices that already own a person but I can't stay " quiet " . This next thoughts/experiences are in the animus to help about:

I owned the V15MR that I try in different tonearms/headshells and with different load impedance values and in my system I never achieve " stellar " or near it quality performance even the 97Xe like me more and that's why I still have it.

If you or any other person wants to " introduce " in the MM high-end " stage " the V15 IMHO is not the right answer if we want to compare against a top LOMC like the one you own.
.
My advise is to go for one of the next cartridges ( either ): Nagaoka MP-50 or better yet the MP-50 Super, Ortofon M20FL Super, Audio technica ATML180 OCC and/or Signet TK 10MLII.

Anyone of you could be " shocked " with the quality performance on these MM cartridges. Can/could beat a top LOMC ones?, I know the answer but the best judge are you.

Those cartridges are only the tip of the MM iceberg.

Normaly these MM cartridges perform better with a load impedance over 70K and total capacitance below 200pf and are so " inexpensive " that we can own dozens.

No, I'm not saying or implying in anyway that instead of our beloved LOMC ones: no, the MM is another very good " flavored " source.

Regards and enjoy the music.
Raul.
Dear Axel, dear Raul, - I am very familiar with teh AT-180 ML and I want to support Raul's recommendation of thsi particular cartridge. It is outstanding - a very serious contender for most of the $1k to $3k of todays high-flight MCs.
It should work very good in the SME V as should its bigger brothers from AT - why?
Because all AT-cartridges do very precisely hold on to the standards (as do all Ortofons...)in stylus to mounting hole distance and therefor will support the fixed alignment of the SME V.

But - can we discuss the SME V in particular in an individual thread??

Hey Axel - how about starting a thread about the special situation of the SME V in terms of its geometry and design?

I am sure this will get much attention as the SME V is widely owned and I will gladly support it.