Some of the early eqs are really different than the RIAA eq and can sound pretty weird if some attempt is not made to get them into shape. The Hagerman Bugle can be ordered with any eq, but it is fixed, not variable, though only around $125.00. Hell, you could buy three of them, Columbia, Decca and Capitol for less than the cost of your interconnects. Gram Slee Projects makes an inexpensive phono stage with variable eq for older records, Jazz Club, I think, around 1K. The Boulder can have special eq cards ordered for it; good to know if you're the one collecting the reward for finding Sadaams two kids. The Zanden offers three choices of eq, again, lottery winners and crack dealers only need apply. Personally, this is just one more reason to own a preamp with tone controls. It may not be "right", but makes most non-standard eqed records quite listenable. Don't forget, even with correct eq, a lot of these things can use some tailoring anyway due to the mikes and recording gear used.
older LPs - different EQ?
After seeing 35,000+ LPs in one place on Sunday, including a wide variety of selections from the early years of recorded music, I suddenly remembered a foggy thing that I read a while back, and I want to confirm.
My impression is that pre-1958 or so (1955?) the record companies used a different equalization curve than the now-ubiquitous RIAA equalization. Is this true? If so, what sort of phono stages do equalization for these properly? Anything else to be aware of in this space?
My impression is that pre-1958 or so (1955?) the record companies used a different equalization curve than the now-ubiquitous RIAA equalization. Is this true? If so, what sort of phono stages do equalization for these properly? Anything else to be aware of in this space?
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- 11 posts total
- 11 posts total