Guido.. one of the articles I read during the past month on the history of Ncore/Hypex, appears to have conflicting accuracies. One article I read states tha the UcD power module that Bruno built in 2001 while working for Philips Digital Systems, states the main circuit in the amp is referred to as the "Ncore circuit" which is where the name originally came from, which would make the term "Ncore" an intellectual property of Philips. Jean Peter mentions he holds the U.S. trademark on Ncore but never mentions in any interview that he owns the trademark in Europe which is filed in Geneva and the deal he cut with Philips back in 2004/2005 was to pay them a annual license fee to use the Ncore name and UcD power module patents that were part of Philips Digital Systems in 2001. I am moving on and spending no more time on this issue. If you explore and dig deep enough on the net, you will run into the same info whether accurate or not.
Merrill Audio VERITAS Amps: Any other experiances?
Despite the Sandy Hurricane interruptions, Merrill was kind enough to provide me the opportunity to audition his Merrill Audio Veritas Mono-block amps with my system. He delivered the amps and I listened for approx 48 hours over a period of three days. It should be noted that never once in this time frame did I or anyone else listening experience listening fatigue.
The Veritas units were temporary replacements for my ARC VTM200 MONO-blocks and other than a short experience with my neighbors ARC 610 Mono-Blocks which really brought my Maggies to life, it was a reawakening as to what my Maggies can do given sufficient power. It's not that the VTM200 don't do a good job, its that financially, moving up with more powerful tube amps is out of the question.
Basically , I was overjoyed with what I was listening to. With the Veritas supplying 700 watts per channel vs the 200 tube watts, which is fundamentally 3 and one half times the power I had been feeding them, it was the first time I heard the Maggies with the power they were recommended to be supplied with other than the 610 experience. It should be noted that every piece of electronic audio equipment I have is TUBE centered. The presentation of the Veritas into the system was the first time a pure solid state unit had been introduced to the system and the lasting impression was WOW...just like the web site stated!
We listened to vinyl as well as CDs...Jazz and full orchestration as well as solo piano, cello and violin. Beside myself and occasionally my wife, the listening panel included Blaine Handzus of the NJAS as well as an interested neighbor along with Merrill.
If and when I replace the ARC VTM200s, the Veritas would be at the top of the list.
Having heard Class D amps at other systems, I had never been totally satisfied with what they delivered but the Veritas units presented a completely satisfying and different audio presentation. In short, the 'you are there' effect the Maggies are famous for with the proper watts was stunning.
Simply put, the Veritas are an audio achievement, with extremely accurate front to back definition as well as a superbly accurate soundstage presentation. The holographic effect of instrument position within the orchestra was excellent.
But more to the point, the sounds of the instruments themselves were very accurate. My wife, who listens to live music on a daily basis, both strings, keyboard and horns made the comment that she "could hear the cellos and violas breath".
It was a sad hour when Merrill came back to take his amps away!
The Veritas units were temporary replacements for my ARC VTM200 MONO-blocks and other than a short experience with my neighbors ARC 610 Mono-Blocks which really brought my Maggies to life, it was a reawakening as to what my Maggies can do given sufficient power. It's not that the VTM200 don't do a good job, its that financially, moving up with more powerful tube amps is out of the question.
Basically , I was overjoyed with what I was listening to. With the Veritas supplying 700 watts per channel vs the 200 tube watts, which is fundamentally 3 and one half times the power I had been feeding them, it was the first time I heard the Maggies with the power they were recommended to be supplied with other than the 610 experience. It should be noted that every piece of electronic audio equipment I have is TUBE centered. The presentation of the Veritas into the system was the first time a pure solid state unit had been introduced to the system and the lasting impression was WOW...just like the web site stated!
We listened to vinyl as well as CDs...Jazz and full orchestration as well as solo piano, cello and violin. Beside myself and occasionally my wife, the listening panel included Blaine Handzus of the NJAS as well as an interested neighbor along with Merrill.
If and when I replace the ARC VTM200s, the Veritas would be at the top of the list.
Having heard Class D amps at other systems, I had never been totally satisfied with what they delivered but the Veritas units presented a completely satisfying and different audio presentation. In short, the 'you are there' effect the Maggies are famous for with the proper watts was stunning.
Simply put, the Veritas are an audio achievement, with extremely accurate front to back definition as well as a superbly accurate soundstage presentation. The holographic effect of instrument position within the orchestra was excellent.
But more to the point, the sounds of the instruments themselves were very accurate. My wife, who listens to live music on a daily basis, both strings, keyboard and horns made the comment that she "could hear the cellos and violas breath".
It was a sad hour when Merrill came back to take his amps away!
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- 68 posts total
- 68 posts total