One thing that is nice about the Bryston are the adjustable slopes. Magnepan recommends the following for the settings at the crossover:
Low Pass: 18dB per octave at 250Hz
High Pass: 6dB per octave at 200Hz
Note that asymmetrical crossover point and slope!
Both the Rane and Ashley look good overall, I think the Rane can only do 24 db/octave and the Ashley and Behringer are the same. That doesn't mean it won't work - but its nice to know that if I stick with what is above then the factory thinks it should work really really well.
Maybe that is part of what we pay for with the Bryston, the flexibility?
Low Pass: 18dB per octave at 250Hz
High Pass: 6dB per octave at 200Hz
Note that asymmetrical crossover point and slope!
Both the Rane and Ashley look good overall, I think the Rane can only do 24 db/octave and the Ashley and Behringer are the same. That doesn't mean it won't work - but its nice to know that if I stick with what is above then the factory thinks it should work really really well.
Maybe that is part of what we pay for with the Bryston, the flexibility?