Can pro amps possibly sound good? Crown, QSC, etc


I have been looking into pro amps for a to-be-built HT/music room. Recently I came across an old review in The Stereo Times: The Complete Audiophile Magazine, which reviewed 2 discontinued Crown amps, the K2 and the Studio Reference I. The K2 the reviewer thought "not distinguished or especially musically refined", but the Studio Ref he thought an EXCELLENT full-range amp. It does have some amazing specs:

Signal-to-Noise (A-weighted) below rated full bandwidth power: 120 dB.
Damping Factor: >20,000 from 10 Hz to 400Hz.
780WPC into 8 ohms, 1160WPC into 4 ohms.

The review is here.

From what I've found so far, there are possbile downsides to using pro gear in an otherwise consumer setup, but in my case I think these are non-issues:

-fan noise: not an issue for me since I will have an equipment closet. Won't have to do a "fan mod".

-ugly: again, not an issue for me with an equipment closet

-hum: I believe not an issue as long as I use balanced interconnects from the prepro. Someone correct me if I'm wrong.

-expects pro-level input levels: I think not an issue if the amp has dip switches or gain controls?

And yet, over on a couple of AVS forum threads, I actually got asked to leave when I started suggesting pro amps. It seems as though some of the audiophiles there (and the same guys might be over here) don't even want to hear about a class of gear which imo just MIGHT sound good. It just isn't worth "polluting" an audiophile thread. Am I missing some other downside to pro amps, other than the above pints? Were these guys attitudes based on something substantive and audibly detectable, or just a form of audio bigotry?

I'm not saying all pro amps are going to be great (for instance I know the Behringer A500 is lousy), but might there be some good stuff too, like QSC DCA, or Crown Macro Reference (other suggestions would be welcome)?
syswei
The Crest amp I have is called the P4000. I can't find much info online about it and Crest Audio's website doesn't seem to keep much on older gear.
Considering the largest QSC amp to run the low end. 22-39hz in a biamp configuration

With lucious tubes on the top would the QSC work or detract from the presentation?
The reason people are considering pro amps at all is the ludicrous prices of audiophile power amps of any decent power (e.g.300w per side at 8 ohms).

Im a live & studio sound engineer of 35 yrs, but I'm an audiophile at heart. I would concur that the necessity of bomb proofing pro power amps with a variety of protections doesn't lend them to suitability for critical home listening, not to mention the fan noise often present. Before there were dedicated pro amp manufacturers, the pro industry used Phase Linear 700Bs a lot, though being a hi fi amp they proved to be too hard to maintain & too devoid of protections for pro use.

I've been thinking of buying a used Crown Macrotech 1200 to drive my Earthworks Sigma 6.2s, but won't have a chance to hear it before purchase so am going off the idea. I'd love a Bryston 4B ST, but just too expensive. Any suggestion of great sounding 300w per side @ 8 ohms power amps that aren't in the multi $k bracket, I'd love to hear them. Perfectly happy to go with 2nd hand to ease up on the wallet. Thanks!
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Hi Houseofhits, I'm in the process of tri-amping my system with Crown XTi-2's and, odd as it might seem to many (even me), am finding them to be surprisingly good for my audiophile purposes! Of course, I've had to be careful about it. I most definitely could not use the speaker connectors and had to make a hard-wire bypass for them (not too terribly difficult). There just was simply no detail thru the stock connectors. I also already have in place the benefit of around 10 grand's worth of electronic noise reduction (Alan Maher Designs) which goes a long way for system performance in all sonic aspects - amps included. These amps are only fairly flat (don't measure as good as their bigger brothers), yet are proving to me to be excellent all-arounders. But, their main draw for me is that they have a suite of pro tools that include digital time delay, crossover slopes & freq, EQ and gain (replacing a Ton of passive parts, which helps the sound). Thanks to the analog XLR outs, multi-amping requires no additional expenditures, except for wiring...no active crossovers or anything. And if you have a digital source that can also act as a preamp, then you can drive the amps directly (although XLR only). But, I'm enough of a tweak to go ahead and bypass my passive crossovers and hear what my speakers can do, direct drive. This is how I think these amps should be used - not just based on how they perform alone, but on how they can be leveraged toward even better system sound. And besides, I can kiss the whole passive crossover upgrade chase goodbye and that's letting me leverage toward reduced system costs, as well. In my case, my stand speakers (Wavetouch Grand Tetons) are already pretty sensitive at 94dB, so a pair of XTi 1002's are all that's needed for them...after some looking around - $410 each on ebay...brand new! Haven't decided yet on which one for my subs.

I can only think of only 2 possible problems with sonics, and even they are rather slight. The first is timbre - this is not the highest-end 'you-just-want-to-crawl-inside-it, live-there-forever-and-never-leave-to-brave-the-world-again'-level of timbre, but nevertheless it is still very good...good enough for it not be an issue for me. But, I am using all that power conditioning and that may be helping with that part at least somewhat, if only indirectly (that stuff usually helps out more with things like soundstaging, harmonics, bandwidth, color, textures, etc, but not directly so much with timbre).

The other issue is subjective speed. I've owned some relatively inexpensive vintage Luxman gear that seemed slightly slower than these Crowns, but the Crowns seem to do fine on their own. But, for me, the removable horns on the Grand Tetons actually improve system speed, yes, even the sound produced upstream, so for me this no issue at all...and I'm not entirely convinced it otherwise would be for me, really, but I have the horns, so I prefer them.

The XTi-2's are so affordable that you can buy one new, play around with the connectors, if you like, and, if you didn't like it, you could sell it as used for not that much less...(Crazy Moe's usually has them (new) on sale on ebay for about the going rate is used). May even help you assess what a Macrotech might be like, if nothing else. But, I suspect you might find the sound as appealing as I do. Hope this helps.

Regards, John