Can you get great analog sound from analog tape?


Can you get a great sound stage with analog tape such as a good quality reel to reel or cassette. If you record from a good quality turntable to tape will it be nearly as good?
schange
I get great sound daily from analog tape, playing back anything from production master dubs to factory pre-recorded reels. There are various factors that determine sonics with reel tape, such as: head gap, head quality, tape speed (of course), electronics mods (such as mentioned previously, by-passing coupling transformers, etc.), tape quality, mechanical modifications, and even the quality of the recording. Now some of the drawbacks: 1)Back coated reels require occasional "baking" in special ovens which cost $400 to $500 new, though I found one for $275 used. 2) Real production master dubs are quite expensive, as you can imagine, and are nearly impossible to find. 3) you have to play through an entire reel to hear the last song, otherwise you risk stretching the tape. 4) Good heads are expensive, great ones are worse. The best Saki heads run around $1500. 5) it takes several minutes to reel the tape onto the machine, prior to play. 6) Many of the Ampex ATR models are mechanical nightmares, and require constant maintenance. (I have 2 for sale now, want one?). I'm not trying to discourage anyone, just inform them of what they will experience, as I have already. Is all of this worth it? Hell yes!
cassette decks don't cut it?

I make some pretty nice tapes with my Nakamichi 3 head deck
Granted reel to reel can be better but you would be surprised at the results of a good cassette deck and the taps are very cheap these days ($1.25 per tape at sams for Maxell XLII). I play cassettes in the car, don't want to deal with a cheap car cd player or ruining my disks

I would love to have a 4 or 8 track reel to reel to record my own music tracks, but the players I've seen are pricey, and you can get an 8 track BOSS digital setup for $500
I must agree with the posts above. One caveat: tapes are expensive and not always easy to find. BUT, recording from vinyl with care (i.e. paying attention to wires of all sorts as Detlof notes) you would need a VERY revealing system to gauge sonic differences -- esp. if you're well calibrated &, I've heard (i.e. hadn't tried), if you use dolby.
Since I don't own a reel-to-reel, I cannot attest to this, but I'd be a bit surprised if an analogue tape copy were truly sonically indistinguishable from the vinyl original. Whatever wires you used.
I use a Nakamichi CR-7A, which is calibrated and clean. It makes very acceptable analog recordings. The noise floor is higher, but the imaging is right on with the source. I use this primarily to tape things I either wish to keep stone mint or can not obtain. I also have a Sony ES DAT deck, but I find myself using the Nak more often even with the DAT run through an Ultra Link II DAC. Tom