My collection is meager to some I know, probably about 800-850 records. To go back to the point of just having 7 records, well that would have to be late 1963, early 1964, and I was about 9 years old.
But we all have started somewhere. And there's no shame to your "confession".
It would be like me saying "Yeah, I was riding racing bikes when Lance Armstrong was still in diapers", but what does that proove?! If I could keep up with him on a hill for a block, it would be a miracle!
About all I can add, is do reseach your options fully, and sleep on your decisions. As many might say, for the price of a Loricraft, one could buy a fantastic Phono Stage, a great Cartridge, or something else.
As for the truth of this statement, I am unsure, but I have heard from a couple of people, that the Loricraft can be a bugger getting total fluid pickup off a record. That it might mean the necessity of a unscented kleenex (or the "mop" of your choice) to sop up any fluids left.
This of course isn't unusual, that it as well can happen with any other RCM, if you spill-spread fluids into the label area, or they leak over to the underside lip of the record. The plusses of the Loricraft probably outweigh the minuses.
Again, I've think I made it known in this thread, I own the VPI 16.5. And I excluisvey use AIVS products.
It is a basic simple machine, but I like the fact that I can manually control the applications of fluids, let them sit as long as I like, scub as little or as much as I feel necessary, use multiple cleaning-rinse steps with ease, and that the cost was not too unreasonable, especially for the improvement of playback I attained.
My only regret was not buying one sooner. Mark
But we all have started somewhere. And there's no shame to your "confession".
It would be like me saying "Yeah, I was riding racing bikes when Lance Armstrong was still in diapers", but what does that proove?! If I could keep up with him on a hill for a block, it would be a miracle!
About all I can add, is do reseach your options fully, and sleep on your decisions. As many might say, for the price of a Loricraft, one could buy a fantastic Phono Stage, a great Cartridge, or something else.
As for the truth of this statement, I am unsure, but I have heard from a couple of people, that the Loricraft can be a bugger getting total fluid pickup off a record. That it might mean the necessity of a unscented kleenex (or the "mop" of your choice) to sop up any fluids left.
This of course isn't unusual, that it as well can happen with any other RCM, if you spill-spread fluids into the label area, or they leak over to the underside lip of the record. The plusses of the Loricraft probably outweigh the minuses.
Again, I've think I made it known in this thread, I own the VPI 16.5. And I excluisvey use AIVS products.
It is a basic simple machine, but I like the fact that I can manually control the applications of fluids, let them sit as long as I like, scub as little or as much as I feel necessary, use multiple cleaning-rinse steps with ease, and that the cost was not too unreasonable, especially for the improvement of playback I attained.
My only regret was not buying one sooner. Mark