Decca London Gold cartridge nightmare


Having read so much about the Decca London Gold cartridge, I decided to try one. Time passed and I finally found one on ebay that was within my budget. Cartridge was guaranteed to work with good results by a seller with very good feedback. Physically the cart looked neat, and everything, except for the mounting screws, was intact.

I had intended to install the cartridge in a new Kuzma Stogi S arm on a LP12 turntable but since the arm is scheduled to arrive end Oct 2008, I decided to try the Decca on my Lenco L75, with the original Lenco arm. At least to make sure all connections were OK, if not for any other reason.

What happened afterwards was pure nightmare. The results were horrendous, to say the least!

Tell me where I went wrong.

I tried tracking between 1.5 to 3gm but the sound ranged from tinny to severe breaking up. Even more startling, the groove vibrations picked up by the stylus was transmitted to the entire headshell, so you could actually hear the sound of the grooves generated acoustically by the vibration, kind of like a diaphragm or a gramophone horn. Lightly placing my finger on the headshell while a record played confirmed this. The headshell was quaking! With the preamp gain down to zero, you could hear the headshell vibration from a distance of a foot and a half, maybe even further, I kid you not.

The cartridge that I am presently using on my Lenco is a low output Audio Technica MC, the AT-OC3. No problems there. Tracks pretty well too, but not great, considering the Lenco arm was not made for MC carts. But the results were definitely more sane than the Decca!!

What's happening? Help!

Thanks for any advice, suggestions, feedback.

beck
tubemoose
MY guess would be that the problem is the Lenco arm. Decca carts, especially if you bought an older one, only respond well with certain arms and are especially suited to damped arms. The newer Decca's have a line contact cantilever/stylus and tend to be less fussy. I'm using a Jubilee with a Well Tempered TT and arm and it sounds fantastic. Your Gold should work much better with the Kuzma Stogi S. Warren Gregory, a Decca dealer from San Fransisco will not sell a Decca until he finds out what kind of arm you are using. I'm also working on a Lenco L75. I believe that the Kuzma arm will fit on the Lenco(211mm?). You may potentially have a Giant Killer with the Lenco/Kuzma/Decca combination.
Keep us posted please.
Zieman it doesn't have a suspension in the first place. Dubhouse, you're absolutely correct. Warren Gregoire wouldn't sell one to me (Super Gold Mk. VII) until I confirmed that I was using a damped unipivot arm (JMW 10.5). Mine has none of the problems the OP cites and is one of my favorite carts -- exceptionally dynamic, involving, and open, with excellent bass. My only real beef with it is that it has a tendency to emphasize surface noise on less-than-perfect LPs. And because of its suspensionless design, it really doesn't do warps. Good luck, Dave
I have a Super Gold too, that I purchased from Warren. You may want to call him and describe your problem. I had the same conversation with Warren as Dubhouse and Dopogue when I bought mine. I've tried mine on multiple arms (Rega RB300, Linn Ittok, Roksan Tabriz Zi) and have had good results in all cases, so I think the risk of a bad combination is relatively low, but as you have illustrated, a bad combination can be really bad.

I suggest you keep at it . . . it's worth it.