Does anyone care to ask an amplifier designer a technical question? My door is open.


I closed the cable and fuse thread because the trolls were making a mess of things. I hope they dont find me here.

I design Tube and Solid State power amps and preamps for Music Reference. I have a degree in Electrical Engineering, have trained my ears keenly to hear frequency response differences, distortion and pretty good at guessing SPL. Ive spent 40 years doing that as a tech, store owner, and designer.
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Perhaps someone would like to ask a question about how one designs a successfull amplifier? What determines damping factor and what damping factor does besides damping the woofer. There is an entirely different, I feel better way to look at damping and call it Regulation , which is 1/damping.

I like to tell true stories of my experience with others in this industry.

I have started a school which you can visit at http://berkeleyhifischool.com/ There you can see some of my presentations.

On YouTube go to the Music Reference channel to see how to design and build your own tube linestage. The series has over 200,000 views. You have to hit the video tab to see all.

I am not here to advertise for MR. Soon I will be making and posting more videos on YouTube. I don’t make any money off the videos, I just want to share knowledge and I hope others will share knowledge. Asking a good question is actually a display of your knowledge because you know enough to formulate a decent question.

Starting in January I plan to make these videos and post them on the HiFi school site and hosted on a new YouTube channel belonging to the school.


128x128ramtubes
 In an electronic circuit, when current flows through a resistance, voltage is developed.


Most would say when a voltage is applied aross a resistance a current flows. An ampifier supplies a voltage and the current is determined by the load. Tere is no current till there is a load.

However in designing a preamp (the most difficult thing to get right) is that we drop voltages across resistors to get our operating points. Has anyone thought why preamps have so many more resistors than anything else?

But I am still thinking about voltages not so much currents till I get to the output stage of a power amp.

As mentioned earlier, the devil is in the details. Some speaker crossovers are more complex in their action than a symmetric electronic one. My dbx223 sits in the cupboard because the dual 4th order did not sound as well as the 4th/2nd passive on the mains or the electronic 3rd / passive 1st for the sub
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Digital may have promise, but at this stage, new hardware elicits no interest.

The RM-3 crossover I use is all discrete push pull followers in the high end, op amps in the low. DIgital crossovers are not recommended. Too may A/D and D/A coversions to be done well at a price. Then there is the code that runs them. 

Analong crossovers are available, why get a digital one?

Good drivers need no correction because they are good, look at the response curves. No one is going to convince me that a bunch of coils (some with iron) capacitors, lossy resistors is better than a direct connection to the drivers.

Audiophiles will spend copiouis dollars on cables that have minimal effects and ignore the real powerful effects because they are daunted by the thought of bi amping. Get some help, read some books, do something important.

Is there a bi-amping group somewhere on this forum? I'd rather go there and help them. Seems all I get here is disagreement.

HAPPY NEW  YEAR, Make a resolution to do something important to your system. At a minimum make a bi amp speaker, even a little one. Crossover kits are available for less than the price of a bi wire.
Regarding differences in cable propagation velocity as a function of frequency, the following paper (which I and another member had referenced in posts here a few years ago) appears to me to be credible as well as informative:

http://www.audiosystemsgroup.com/TransLines-LowFreq.pdf

See Figure 2 of that paper, although it addresses a coaxial cable rather than speaker cables. It can be seen that propagation velocity does decrease considerably at low audio frequencies compared to high audio frequencies. However, even at 20 Hz the propagation velocity, while much slower than at higher frequencies, is still about 5,000,000 meters per second, easily fast enough to be utterly inconsequential in the context of a home audio system, despite claims in some marketing literature to the contrary.

As Ralph aptly said in another context here not long ago, where there is an effect there is snake oil for it. I would add that is particularly likely to be true when the claimed effect is not or cannot be looked at in a quantitative manner.

... the velocity of propagation of the signal (versus the velocity of the actual electrons) is determined by the dielectric or insulation material that the electromagnetic wave is predominantly traveling through.

I believe that this statement is correct, and is unrelated to skin effect. Cable propagation velocities are usually somewhere between around 50% and 95% or so of the speed of light in a vacuum, and are dependent on the dielectric constant of the insulating material surrounding the conductors. Numerous references can be found on the web in support of that.

The reason is that signal energy is conveyed in the form of an electromagnetic wave (rather than by the associated but vastly slower "drift velocity" of electrons), and for the most part that wave propagates outside of the conductors, within the dielectric (aside from a small fraction of that energy that is absorbed by the resistance of the cable itself).

Again, though, whether an audio signal propagates from one end of an audio cable to another at 1 nanosecond per foot (close to the speed of light in a vacuum) or at 2 nanoseconds per foot, or somewhere in between, is utterly inconsequential. And if a 1 ns/foot cable sounds different than a 2 ns/foot cable, the reason is something else.


Regards,
-- Al

Just because they make a difference it does not follow that a power cord does. In power cables there is not much to measure and a lot of other wire to consider.
I would not base an assessment of a power cord on the effects of interconnects or speaker cables. Ohm's Law works much better :)
You can measure the voltage drop of the power cord with a simple DVM.
As to its effects, its easier to see how it affects the equipment to which its connected. Some gear is more sensitive to AC input voltage than others, but in general, measure power output, output impedance and distortion. These will vary according to power cords, but not according to the cost of those cables  :)
Nelson Pass is now offering a kit version of his nice First Watt B4 active electronic x/o at an irresistible price. It provides 1st/2nd/3rd/4th-order high-pass and low-pass filers (6-12-18-24 dB/octave) in 25Hz increments from 25Hz to 3200Hz, via discrete circuitry (no opamps, no ic's, purely analog). A speaker unusably easy to bi-amp with a x/o such as the B4 is the .6 and earlier Maggies. For instance, one can simply use the B4 in place of the outboard x/o included with the 3.6; the B4 filters the bass out of the signal sent to the amp used on the woofer drivers from the amp driving the midrange drivers and tweeters, and visa versa. The improvement is huge! This is possible with the 3.6 because the speaker's x/o is a parallel design; in the 3.7, Magnepan unfortunately switched to a series x/o, so bi-amping is not possible with performing internal surgery on the speaker.
Why can’t people stay focused? Ramtubes started this discussion about amplifiers and it looks like it fell into the cable whole again! 
Start your own thread about cables of any different kind and stay out of the ones that have nothing to do with it!