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Multiple arms, multiple cartridges and geometry?

I have read the debates regarding the benefits of different tonearm geometries......Lofgren A and B, Baerwald, Stevenson etc....and I appreciate the benefits of choosing where, on the vinyl record, one wishes to have the least spread of distortion.
I also have read where certain arms seem to perform better with one or other of these geometries?

I have two turntables with three different arms on each one and I have a total of over twenty five different cartridges.
Four of those arms have removable headshells and twenty of my cartridges are mounted on their own headshells ready for installation into any of those four tonearms.
How then.......can I have different geometries for each arm if I don't wish to re-align a cartridge within its headshell depending on the arm in which its installed?
Surely......I must select a single geometry for all my arms so that the cartridges fixed to their headshells....are truly interchangeable?
128x128halcro
stanwal's avatar
stanwal
3,147 posts
 
You have obviously set out to drive yourself nuts. Oh, wait; we are audiophiles and therefore already nuts by definition. Sorry, my bad.
halcro's avatar
halcro OP
2,289 posts
 
Dear Raul,
Oh oh.......you mean that when I set up a cartridge on one arm with, say.....Baerwald geometry......it doesn't mean that it will be correct if I change to another arm with a different pivot to spindle distance and overhang?
I somehow feared this might be the case.....and I can easily check it......but damn!!!!......as Stanwal then says.....I am forever going to drive myself mad by changing and checking geometry at every change of tonearm and cartridge?
Oh boy......what a disaster!!?
mapman's avatar
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mapman
15,679 posts
 
Just go digital and be worry free or at least trade yours for a different set! :-)
lewm
6,770 posts
 
"...you mean that when I set up a cartridge on one arm with, say.....Baerwald geometry......it doesn't mean that it will be correct if I change to another arm with a different pivot to spindle distance and overhang?"

Yes; it will not be correct. But your tonearms are vintage Japanese types. Many or most of those were designed with Stevenson geometry in mind or with some idiosyncratic geometry unique to that tonearm (e.g., SAEC 308SX). You can use Baerwald alignment for some of them (not SAEC 308SX), if you must, but the cartridge will end up twisted with respect to the long axis of the headshell. My experiments with doing that did not sound good. But no matter what geometry you use, a given alignment of the cartridge will work in two different tonearms only if they have the exact same P2S distance, effective length, headshell offset angle.
mapman's avatar
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mapman
15,679 posts
 
How about using a standard alignment template, whichever one might be best for your table, similar to the user printable one that Linn has provided for the Axis specifically, and just applying it as needed?

That has always worked for me with the Linn Axis in terms of getting hard to fault sound quality, ie faultless tracking, good dynamics, quiet background, and no sibilance, which are usually 4 very good indicators that things are working well.

I have never swapped arms, but if the template could not work, that would tell me the arm is not a match to the table.

Why make these things more complicated than need be?
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