music frequency


The only thing I know about the frequency is that the audible to human ear is 20-20khz and the middle C on the piano is 250hz. Can you tell me what frequency range a complex orchestra music might be?
odnok123
Beware of the Black & White viewpoint that more LF extension is necessarily better....really it is more of a "gray" area. Extreme LF can be better if DONE CORRECTLY AND CAREFULLY using SPL measurements and careful Room design/treatments and a smidgen of EQ, however, in many cases extreme LF may actually be detrimental to the overall sound at LF and may even cloud some of the mid range detail.

See this interesting demonstration about hearing perception at Southhampton University, which should be considered when looking at the chart suggested by Tgrisham.

http://www.isvr.soton.ac.uk/SPCG/Tutorial/Tutorial/Tutorial_files/Web-hearing.htm

It shows how the pitch of an instrument can still be heard even if the loudspeaker lacks the ability to play the fundamental frequency!

The higher harmonics (or partials) allow one to hear the pitch of the played note.

The timbre of the note will, however, be affected by the relative magnitudes of the fundamental AND all the partials and how they decay.

Since room modes (also covered on this website) become severe at very low frequencies (easily up to 15 db boosts and nulls in most cases) then a flat speaker frequency response down to extreme LF may not necessarily be desirable. The room may alter the timbre of low notes more adversely than the loudspeaker response curve....no matter the cost/quality of the loudspeaker!

Therefore, with typical modest room sizes, a well designed speaker with less impressive LF extension can often outperform in LF timbre another speaker with greater LF extension.

There is actually quite a lot on this website that may interest audiogoners.
I have heard a number of pipe organ recitals in large churches, e.g. Stanford Memorial, and small, our little local 100+ year old Episcopal church has a fine pipe organ. The Velodyne HGS-15 sub gives that nearly inaudible but clearly felt sensation you get when a big pipe is opened. Though my KEF 104/2s can go much lower, I find their sound more open and airy when LF below 80 Hz is handed off to the sub.

I think what some of the earlier posters were alluding to is combination tones that can arise from the beating among harmonics, generating energy at lower (audible) frequencies. But Eldartford makes a good point: The sound pressure levels of higher harmonics are comparatively low, and combination tones from such even lower.

db
The recording that I have with the most extensive very low frequency signal is a Wurlitzer theatre organ CD from Organ Stop Pizza (in Mesa Arizona...great place to visit). There is a continuous background at uniform level down to the 20 Hz 1/3 octave band of my spectrum analyser. Is this good? Well maybe yes, and maybe no. It is the real sound of the wind generation machinery of the organ, and if it were not there the reproduced sound would not match a live performance. But maybe this sound is a distraction, and some folk might prefer to have it gone.
Eldartford,

One of the most popular organ works for recital is the Bach Tocatta & Fugue in D minor. My recording is Deutche Gramaphone 427 668-2. There seem to be no extraneous noises, the small pipes have the immediacy of attack you expect, and there is that glorious subtle vibration when one of the big pipes is opened. It's very close to what I have experienced in live performances -- hey, maybe the pipe organs and organists were just for show and they were actually playing a recording.

For symphonic music Mahler invokes the pedal notes to add substance, and Saint-Seans has a field day in his racous symphony. My preference has moved more to Bach, Mozart, baroque, and jazz, but I enjoy the pipe organ.

db
Donbellphd...I too have many classical organ recordings. Theatre organs are a whole different animal.

The Wurlitzer in the Organ Stop Pizza is,they say, the largest in the world. Others have claimed this, so I don't know, but it is a big one, beautifully restored. The building was specially designed and constructed to hold the instrument. The wind generation machinery and all the air ducting is on display behind a glass wall.

And the Pizza and wine is good too.