Placement tips for Synergistic Research HTFs


I just bought 15 HTFs and will also be making about a dozen of Ozzie's homemade models.  While I will re-fresh myself with SR's placement tips, and I get that I will have to do some experimenting to tailor the HFT effect to MY listening room; are there any "Advanced HFT Placement Tips" some of you would like to share with us?  Something that might be overlooked by many of us?  Or maybe, just a good rule-of-thumb tip for someone just starting to use these?
The tips could be tips for bring out more highs, solidifying the bass response, placement hi vs low, in front of vs behind speakers, on side walls, at reflection points, behind the listener, on the ceiling above the equipment or above the listener, on the equipment.
Any ah-ha that you would like to share?  I would also be very interested in hearing from people using Magnapans.

toolbox149
How about a big group hug and try to move on? How about this? Can anyone explain in the paragraph I posted yesterday from 6 Moons why Franck Tchang specifically pointed out he measured the spectrum of radiation effects for his tiny little bowls as high as 3 GHz? Also, why he pointed out that the radiation he was referring to was not distance dependent? You know, since everybody and his brother knows that audio frequencies go up to what, 20 kHz or maybe 30 kHz, give or take, AND that acoustic waves actually *diminish* in amplitude according to distance. You remember, our old friend, the inverse square law.
Yeah, I'm at a loss, though I've spent maybe 10 minutes thinking about it. My only guess is that it relates to the electromagnetic radiation spectrum. As far as I know, that's the only thing at high enough levels to be worth trying to attenuate, as well as being able to pass through walls and refrigerators 
I am also at a loss on this point. But I don't worry too much about the why and the wherefore in this regard. For me, the main thing is to discover what works, whatever your approach.
Agreed. Though, intellectually I have a hard time being open to something if I don't at least have some sort of understanding of the mechanism at work. 


As I say, for me the bottom line is the music. As long as the SQ improves I am happy with things whether or not I understand what is causing the changes.