Preamp Deal of the Century


If anyone is looking for a true "World Class" preamp at a very fair price..heed my advice. I just recieved a Supratek Syrah preamp that was hand built by Mick Maloney in Western Australia, and it is absolutely beautiful! This preamp is the best deal you will ever find. I would put it up against any preamp out there for both looks and sound. Price? $2500 for the Syrah (includes Killer Phono stage). Not into phono? Try the Chardonney line stage for $2100. Don't get me wrong, I am not associated with this company. I am just a very happy owner! This preamp is VERY dynamic, yet liquid. It conveys the sound of music better than any other preamp that I have ever heard! You can check out the Supratek website at www. cantech.net.au
slowhand
I have 6c4's on my Chenin. The JAN Phillips that comes with stock is reasonable.

At present, I am using the M8080 Mullard tubes. Very quiet and I am not having any microphonic issues. I posted a while back about several 6C4 tubes I tried in the Supratek. Up to now, I am still convince that they are the "money" tubes on the phono section of the Chenin and not the 6922's. Although I am using a Telefunken on the 6922 position, my observation was that the 6C4 gives immediate feedback as to the tonal quality of the phono section when trying different varities. I rolled 6 pairs of different manufacturers of 6922's and I end up getting confused trying to identify if there's an improvement doing so. Maybe there was but I cannot comment on which was the best tube for me on this position from my experoment. Whereas the 6C4, as I said, the difference was immediate!

My recommendations as of today are (in order of being the "best" in my system) as follows:

Mullard M8080 (so far the best for me!)
Raytheon Triple Mica
National Union (looks like an RCA)Black Plates
RCA
Tungsol

What I found a waste of time are:

Motorola
Crosley
RCA Gray Plates
G.E. (maybe not the same type as Ecclectique is refering to)
My new Chardonnay will be arriving next week.
Can't wait to experience first hand what you guys have been saying all along.
Hey, we have the "Preamp Deal of the Century".
What would be your personal choice for "Amp Deal of the Century" and "Speaker Deal of the Century"?
Hi Ecclectique & Amandarae, thanks for your valuable input. I am going to get the Mullard CV4058 and try them out. My Chenin was stocked with RCA 6C4 and they are the only stock tubes remain on the unit. I have no idea of how the other 6C4 sounds so I am going to give a try. Frankly speaking how big is the difference betweem the 6C4 model and the later one using 6J6?

Thanks again!
Hi Gang. Ethifi.... congrats sir and let the chardonnay run in for a good couple of hundred hours before tube rolling. You will be impressed right out of the box. A couple of hundred hours of run in time allows the passive circuit parts,wire and the transformer windings to settle in. Amandadarae...a great system sir and I can see a lot of time and thought went into putting it together... always love to see another great vinyl rig too. After reading about your previous wright preamp I can almost hear the musical "voice" of your system....you have good ears sir. Regarding the GE 6c4...Any of other GE 6c4 versions were just awful except for the 80's vintage versions. I believe Conrad Johnson still have select stock of these in inventory. I have to say I was not too impressed with the tone of the Tung sol's[hard treble range] and never really tried the triple mica Raytheon as the mullard m8080 won hands down. Furthermore.... The circuits I was playing with [organ amps and guitar amps] could never be considered high resolution amplifying devices like that found in a good phono stage. I did dig out my previous notes I had made on this tube. I had spent some time voicing a friend's Conrad Johnson PV 14 back in the early 90's and came to the same conclusion.... The mullard m8080 wins hands down.I have kept records that date back to the early 70's regarding the tubes used for voicing my own equipment as well as the stuff I've repaired or modified. I am not surprised with your choice of the telefunken e88cc in the phono stage. No doubt you have had previous experience with this tube type.The telefunken and the seimen cca are the very best of that family and by a wide margin I might add. If that particular tube does not seem that critical in the supratek's phono stage [as indicated in your last post] others here that do not wish to pay the insane price's those tubes currently command... may want to try the nos russian military tube in it's place. The 6n23ev is a terrific tube for use in a phono stage. It is dead quiet, accurate, great bass resolution, extremely well balanced top to bottom and consistently has the tightest matched triode sections of any manufactured brand of this family of tube. "Note"... It is not to be confused with the icy glare of the current commercial Sovtec 6dj8/6922 now being used in just about every piece of modern amplifiacation. The 6n23ev's were developed strictly for the russian military and were not even known to exist until the end of the Cold War and the demise of the Big Red Machine. There are surplus stock of this tube floating around.They are very inexpensive relative to most nos examples. Search them out, you will be impressed.
Ecclectique,
You have said that Cary 805c and Supartek are "is a marriage made in heaven". But there is one problem for me, Cary is only 50W, and in the future I'm going to have big room (>400sq feet) and I like listen to big orchestras on decent level. My speakers are power hungry inefficient Thiels 3.6. I'm afraid that even strong tube watts in amount of 50 will not suffice. And I have heard Manley a few times I only so far have liked better them Manley expensive behind my reach electronics (like VAC or LAMM). And it is 250W at the some price, yes I know it is not SET but some people claims that for big music SET is not the best choice ...
What do you think ?