I started blogging about the Pure Vinyl experience. You can check out the progress here:
http://www.wynacht.org/?p=149
http://www.wynacht.org/?p=149
Pure Vinyl Software
I started blogging about the Pure Vinyl experience. You can check out the progress here: http://www.wynacht.org/?p=149 |
Joe, that would be a great comparison. The price of the MSB looks great. The only problem is you would still need an interface with a digital input to make use of the MSB since it is only an AD converter. The Apogee on the other hand is the interface and AD converter in one small unit. Probably the best setup would be a top notch AD converter running into a top notch interface such as the Metric Halo ULN 2. This is a rather cumbersome not to mention expensive solution compared to the streamlined and even portable Duet. We shall see. When Jwynacht gets the Duet and Purevinyl running together we will do a direct comparison between that and my "old fashioned" rig and see what sounds better. I am running a 4000.00 Wadia AD converter into the Alesis Masterlink and the recordings are GREAT! The Wadia is like 5 years old which is a long time in the world of digital. Hopefully it is possible that Apogee can make something that beats it for 1/8th the price and fits in the palm of your hand. |
Pure Vinyl looks really cool. I've already made some investments in my process of transferring 600 LP's to digital, though, so it's a rather pricey choice at this point for me. For what it's worth, just to put an alternative approach: Mac OS X/Mini with Bias Peak (similar price to Pure Vinyl) Outboard A/D converter: USBPre Click/noise fixing on Windows with Cool Edit/ClickFix Archive as FLAC, burn to CD. I record 24-bit 44.1. I can't do 96 with my setup, but at the time (2002) anyway the cost of the hardware/software was the best compromise for me. Depending on the record, splitting the tracks can be easy or challenging. The hardest part for me is figuring out how much to clean the audio. Sometimes a light touch with ClickFix in the gaps will do the job, sometimes I end up just living with a few natural artifacts to preserve the high end, etc. Recently I've been experimenting with Cool Edit's noise sampling and removal functionality. I'm debating whether this might be more effective and less harmful than I previously thought. Jury's still out. But the bottom line for me is that saving the final work in FLAC and/or CD is the way to go. MP3's are like low-end cassettes in the modern age. I still hope for on-line retailers to start selling non-DRM in lossless formats. Then I may just buy digital replacements for alot of my more scratchy/warped items! |