Rap music on high-end speakers


Hello,

I have audiophile taste in gear, but not in music. I listen to rap music, and occansionaly R&B. Is there anyone out there like me? What do you listen for when buying gear? I was wondering what are the benefits in getting better gear? I want to upgrade the speakers to either proac response 3.8 or wilson cubs. Here is my system:

Levinson No.23
aranov ls-9000
Platinum audio reference 2
Paradigm servo 15
kimber speaker wire
esoteric component wires
amc cdm7
tru
Sean - perhaps I misunderstood your earlier posts, and I thank you for continuing to clarify. It seems as though you do recognize that the generalization of modern hip hop artists is a convenience and largely a product of marketing hype and an increasingly disillusioned youth culture. More, it sees like you agree with the notion that the form isn't inherently unlistenable, but perhaps it's most well known ambassadors are. These were really the points I wanted to make. To me, music has always been a gateway into new cultures and ideas. As such, what I listen to tends to range from European electronic exotica like Mouse on Mars to the excellent songsmithing of Leadbelly. One thing that I have observed is that there are plenty of bad music and plenty of bad music fans in every genre. And that's fine, but if you really want to hear what any music type has to offer you must be willing to wade through the crap (or better yet, find a reliable guide who's already familiar with the form). To dismiss anything before really giving it a shot is just cheating yourself.
Can anyone answer this question: Why I was the only one who brought a 'mundane' recording to the Frank Van Alstine Show at the Chicago Audio Society meeting? Everybody else played 'audiophile grade' recordings...

The music was from "Lo mato si no compra este disco." (I kill him if you don't buy this record.) Album by Willie Colon/Hector Lavoe--Caribbean gangsta music from the 70's. I happened to play an instrumental fusion piece that Van Alstine stopped after about two minutes! This recording, nonetheless, is my reference recording to test system performance. Lots of trombones, fast percussion, bass and a world class singer. I used it recently to test and set up some Bob Regal feet Deano sent me to try on my 'new' Melos SHA-3 preamp. I described the improvements to him and emailed me that I was hearing right. That I had entered 'Audio Nirvana'. So much for a non audiophile recording of gangsta music.

Aguirre, you're right on the money. I've always said that most music in all genres is crap. That one needs to weed out this crap to get to the real good stuff; preferably to find a guide to point out what to buy.

In conclusion, I think being an audiophile gets a bad rap because it is associated with certain attitudes, behaviors and types of people. Just recently I went to an 'upscale' high end store in downtown Chicago to buy a piece. What a bunch of snobs! Did they think they were impressing me? I just wanted to get out of there fast! I heard comments like: "To get a good preamp you have to spend at least five thousand dollars." Is this going to attract people to audio? Hey, they want you to quit before you even start...or at least humilliate you before you move on. Like forcing me to demo the piece I wanted with some Tchaikovsky. Hey, I've sold audio at two stores: you ALWAYS ask the customer what he/she wants to hear. What was the point of this geek trying to force me to hear Tchaikovsky? Educate me, perhaps? What a shame...
It reminds me of a funny but typical situation I encountered several years ago.I was at a used hi-end audio store,and the owner used to come across some really exotic audio gear.Any way he also sold used CDs and i stumbled on to a LIAS LISa and the CULT GANG.I really wanted to hear this one cut titled Lost in Emotion,and the owner looked at me like i was nuts.I did remind him that I was a customer who had bought a pre amp from him,anyway he put the cut on i listen to it and it was a full tube setup,AUDIO RESEARCH,sounded real tight,he was going nuts but then he cut it off when the cut was done and put on classical and said this is what high end is for.I then told him that he was an idiot,because not all audiofiles listen to only classical and to me it's boring.We had a exchange of words and I pretty much told him that I will never patronize his establishment again.Well eventually he went out of business because he was trying to get over on everybody and pretty much everybody got hip to his B.S.TRU I wish you well on your continued search and my stepson is a fan of your music.Even my wife likes your stuff too.I hope that you read my speaker choices for you too.Happy Holidays.Cheers
some of these comments are making me sick. to generalize *any* kind of music is wrong, and i don't necessarily mean in an ethical sense either. i mean that if you make a statement about any genre of music, your statement has to be incorrect. styles of music vary within one genre so much that one statement CANNOT apply to the whole thing.

now, if you ask anybody who knows me, they will tell you that i am a seriously bad music snob. i'm not afraid to tell people why i think an artist is bad, but i will not trash an entire musical style.

there is indeed some rap/hip-hop that is overly manufactured andjust has high highs and lousy, boomy lows. but i don't understand how somebody could listen to an artist like tricky (especially 'maxinquaye') and make the same statement about it. it is extremely layered, well-engineered, crosses the full bandwidth spectrum, and is mostly mid-to-highs with a few very low baselines here and there.

anyway, that being said let me give my opinion on the original question.

in order for rap to sound good on a high end system, you are going to want a speaker with a very high quality woofer that will not color the sound and that will return to a resting position very quickly; quickly enough so that it has made a full movement cycle before it is activated again. of course all the normal speaker-qualities that are usually sought after should apply, but for r&b and hip hop, which does tend (not always) to have more low-end, it becomes very important for the proper reproduction of it. i've read some people
s recommendations and agree with gregm's recommendation of a pair of active ATC's. i recommend scm 50's or higher, as i believe them to have the best mid range and woofer drivers in the world. if you can find a dealer nearby, take a listen, i think they'll really help you enjoy the music.

and make sure you bring your own cd's and lp's when looking for speakers. and immediately leave any place that won't let you play what you want to when auditioning. you're the one buying the speakers. you're the one who will live with them, and you're the one paying their paycheck if you decide to buy. don't ever waste your time with snobby audio dealers. i changed hifi shops because of them.

anyhoo, just my opinion. hope it helps and good luck.
I agree with Nilthepill. The Dunlavy V's will blow your windows out with rap music. Even though it's not my favorite listening music it sure gets a party going. Ever try to get crazy with Dave Brubeck or in this case Lawrence Welk.