Removable headshells 101


Due to the influence of Raul's thread on MM cartridges, I believe that some of us (perhaps for the first time), have acquired a tonearm/s with a removable headshell?
In my case, there was a vacuum of knowledge or information about what makes a good headshell and for the last 6 months a great deal of my time and effort has been expended in acquiring personal hands-on experience.
Perhaps a Forum to share experiences will help new adherents to this once denigrated (by the High End) segment of tonearm design?
128x128halcro
Looking for opinions on the Micro Seiki headshells. They have a lower COG as opposed to all other headshells out there.

Would it be advisable to not use any other headshell for the Micro Tonearms?

I never seen this brought up before on the net and would think there should be some discusion about this out there.
Dear Dertonarm: Of course that I already used those headshell with LOMCs. The Orsonic and AT headshell ( older the Ors. ) were out there way before I started to test MM/MIs.

About cartridge body I think almost all cartridges have " problems " and are not perfect as you and other persons ( including me ) can whish but this is true with almost any other audio item so: what's the point?, I posted several times that all the TTs are unfinished designs ( you and me already discussed on this subject. ) but on tonearms we can say the same as with cartridges or speakers or amplifiers.

My point is that due that our audio world is not perfect we have to have the tools ( in this case: headshells/tonearms. ) for our cartridges can shows always at its best and this means ( between other things . ) that we have to look for matched items.

You are a wise man and I know that you know way before your last post what I'm refering to. Dertonarm I think that the time when we always want to win a discussion are past and our today contribution are " deeper " than that self misunderstooded satisfaction. I think and believe in your maturity even that several times you ( IMHO ) don't shows it.

Anyway, I don't want to follow opening more " windows " in this thread.

Regards and enjoy the music,
Raul.
Dear Nandric: Of course that I don't make any audio item choice only because I trust in you and that's not what I posted.

++++++" the subject here is which of those 15 answers are the " one " and only your skills/experience/know-how level along some type of research ( who is telling what, which audio system they own, music sound priorities of those persons, biased?: to what, etc, etc ) can tell you. " +++++

IMHO anyone of us follow a process ( personal one. ) when we take a decision.

Regards and enjoy the music,
Raul.
Hey Folks,

As some may have read/remember, I have a Sota Star/SME 309 on order. I get the idea from reading SME's description that the 309's removable headshell is not standard and would not be interchangeable with the headshell's you folks are mentioning. Is this correct? The SME is different?

Thanks,
Robert
Dear Raul,
Thank you for your responses and trust.
I also take with a large grain of salt the recommendations of most reviewers (except for perhaps Art Dudley & Arthur Salvatore) because their job effectively, is to promote new audio products.
Thus they mostly test and listen to, the latest (and greatest?) and probably don't have the time or opportunity to hear the great vintage analogue products which we, through forums such as these are able to?
You thus will never hear a current reviewer test a new audio cartridge against some of those vintage MM designs we have found to be so special?
You won't hear them test the new 'super' tonearms against the FR series or the Micro Seikis or the Audiocrafts or the SAECs etc for the same reasons.
The results of this myopia are constant articles and reviews which give the impression that the state of high-end audio is relentlessly moving forward?
This I have found in the last year or so, to be rather far from the truth.

On the issue of headshells though, I tend to agree with Dertonarm that if a well-designed headshell does not work well with a particular cartridge, there is more likely to be a fault or quirk with that particular cartridge body or design?
Of course it is easier to just say......poor match.....incompatibility......lack of synergy etc but I'd really like to know what are the reasons for these excuses?
And there must be definable reasons? The fact that we don't have the knowledge or patience to discover these is simply an admission of the depth of our lack of knowledge when it comes to audio? :-)
Cheers
Henry