Sutts has not mentioned (unless I overlooked it) if his source is fully differentially balanced, so the point may be moot.
I use a fully balanced source (turntable) and an unbalanced source (CD player), which pass their signals through a fully balanced preamp. Both sources sound excellent, or not so excellent, depending on the recording. I do know that those who have heard the Belles amps in their single ended stereo versions and in their balanced monoblock versions universally report that they are more resolving and produce a larger image when run as balanced monoblocks. This would seem to be in keeping with a lower noise floor inherent with balanced operation.
I wonder if the discussion about balanced versus fully differentially balanced is more rhetorical than practical? For the purposes of this discussion as it relates to Belles and Lamm, I suppose it'd be valuable to determine which definition of balanced applies to their amplifiers.
...and whether it truly matters to Sutts.
I use a fully balanced source (turntable) and an unbalanced source (CD player), which pass their signals through a fully balanced preamp. Both sources sound excellent, or not so excellent, depending on the recording. I do know that those who have heard the Belles amps in their single ended stereo versions and in their balanced monoblock versions universally report that they are more resolving and produce a larger image when run as balanced monoblocks. This would seem to be in keeping with a lower noise floor inherent with balanced operation.
I wonder if the discussion about balanced versus fully differentially balanced is more rhetorical than practical? For the purposes of this discussion as it relates to Belles and Lamm, I suppose it'd be valuable to determine which definition of balanced applies to their amplifiers.
...and whether it truly matters to Sutts.