Sorry!I did forget to mention(to be fair)that the ONLY time there was any "sticking" problems,in the Air Tangent,was when the owner was remiss in the regular maintenance cycle.Which was not an overtly significant amount.Also,he only started to get "lazy" about this,when he realized he wanted to cut out maintenance completely,and go the pivot route.Partly due to the influence of mutual friends,owning the newer arm,and touting how good it was.Sound familiar?It's just human nature,I guess!BTW--I'm going to hear it in about three weeks,so will know,for sure,if the linear tracker has been superceded by a better "mouse trap"!
Schroeder vs. Triplanar VII Sonic Differences
All,
I have read a lot of threads regarding the "superiortiy" of these tonearms in the right combinations of tables and catridges. However, there doesn't seem to be a lot said about the soncic characteristics of each brand and the differences between them. I'm interested in hearing your thoughts about their strengths and weaknesses, sonci characteristics, applicability to various types of music (rock, pop, classical, large scale, small scale, etc).
Will a Schroeder deliver dynamics, punch, bass suited to Rock music? Will a Triplanar deliver natural, timbral accuracy? Are both these arms suited to the same music?
Thanks in advance,
Andrew
I have read a lot of threads regarding the "superiortiy" of these tonearms in the right combinations of tables and catridges. However, there doesn't seem to be a lot said about the soncic characteristics of each brand and the differences between them. I'm interested in hearing your thoughts about their strengths and weaknesses, sonci characteristics, applicability to various types of music (rock, pop, classical, large scale, small scale, etc).
Will a Schroeder deliver dynamics, punch, bass suited to Rock music? Will a Triplanar deliver natural, timbral accuracy? Are both these arms suited to the same music?
Thanks in advance,
Andrew
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- 136 posts total
- 136 posts total